The ornate reading room at the Boston Public Library is quiet—until the tranquility is shattered by a woman's terrified scream. Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who'd happened to sit at the same table, pass the time in conversation, and friendships are struck. Each has his or her own reasons for being in the reading room that morning—it just happens that one is a murderer.

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together, they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.

After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides listeners with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People”.

The Rise is a gleaming residential tower, newly constructed from steel and blackened glass, that stands on some of London’s most prestigious real estate. Looming imposingly over Hyde Park, only multi-millionaires need apply for one of its sumptuous apartments. But when the young night concierge is found murdered in the building’s lobby, the elite residents quickly find their gilded lifestyles under unwelcome police scrutiny.

Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life - living in his restored shepherd's cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno's attention.

Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for 40 years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills.

Ian Rutledge returns to his career at Scotland Yard after years fighting in the First World War. Unknown to his colleagues he is still suffering from shell shock, and is burdened with the guilt of having had executed a young soldier on the battlefield for refusing to fight. A jealous colleague has learned of his secret and has managed to have Rutledge assigned to a difficult case which could spell disaster for Rutledge whatever the outcome. A retired officer has been murdered, and Rutledge goes to investigate.

When clever, headstrong Kaveri moves to Bangalore to marry handsome young doctor Ramu, she’s resigned herself to a quiet life. But that all changes the night of the party at the Century Club, where she escapes to the garden for some peace and quiet—and instead spots an uninvited guest in the shadows. Half an hour later, the party turns into a murder scene. When a vulnerable woman is connected to the crime, Kaveri becomes determined to save her and launches a private investigation to find the killer, tracing his steps from an illustrious brothel to an Englishman’s mansion.

“What am I, bologna?” Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened.

Two brothers meet at the remote fence line separating their cattle ranches in the lonely outback. In an isolated belt of Western Australia, they are each other’s nearest neighbor, their homes a four-hour drive apart. The third brother lies dead at their feet. Something caused Cam, the middle child who had been in charge of the family homestead, to die alone in the middle of nowhere. So the eldest brother returns with his younger sibling to the family property and those left behind. But the fragile balance of the ranch is threatened.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

It's 1910, and Daniel Pitt is a reluctant lawyer who would prefer to follow in the footsteps of his detective father. When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only 21 days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography-maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven, whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie’s empire faces threats from without and within.

The ornate reading room at the Boston Public Library is quiet—until the tranquility is shattered by a woman's terrified scream. Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who'd happened to sit at the same table, pass the time in conversation, and friendships are struck. Each has his or her own reasons for being in the reading room that morning—it just happens that one is a murderer.

As far as Carol Spencer is concerned, the war has spoiled everything. She and Don had been engaged for years and were on the verge of marriage when he was shot down in the South Pacific, leaving Carol on the verge of spinsterhood at 24. She wants to take some kind of job in the war effort, but her invalid mother demands that Carol accompany her to the family's summer home in Maine. But when they arrive at the faded mansion, they find it completely locked up. The servants are gone, the lights are dark - and there is a body in the closet.

Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, 21-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts' summer home. She also has a job to do - report on the event for the society page of the Newport Observer.

It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on.

As war rages in Europe, the citizens of London flee to the country. At Pigeonsford, a group of guests plays cards - but Grace Morland knows the strong emotions that lurk beneath the placid social surface. She's painfully in love with Stephen Pendock, the squire of Pigeonsford, but Pendock's smitten with young beauty Francesca Hart. One afternoon, Fran debuts a new hat, and Grace's jealousy gets the better of her. She exclaims, "I wouldn't be seen dead in a ditch in a thing like that!" She will soon be proven wrong. Grace is found dead with the hat on her head.

When Meredith Mitchell agreed to stay with her actress cousin, Eve, in the run up to Eve's daughter's wedding, she anticipated a degree of drama. But she can hardly have expected it to include murder, blackmail, and unrequited love. Or to involve a certain Chief Inspector Markby, a middle aged divorcee.

Great Britain, 1923: When Detective Inspector John Redfyre is invited to attend the annual St. Barnabas College Christmas concert in his Aunt Henrietta's stead, he is expecting a quiet evening. But he arrives to witness a minor scandal: Juno Proudfoot, the trumpeter of the headlining musical duo, is a woman, and a young one at that - practically unheard of in conservative academic circles. When she suffers a near-fatal fall after the close of the show, Redfyre must consider whether someone was trying to kill her.

Lady Katherine would rather chase clues than suitors. Her reputation as a matchmaker could give her the cover she needs to follow in her detective father's footsteps. If she catches the Pink Ribbon Killer before he strikes again, she'll win her dowry and her independence in the process. One look through the exclusive Northbrooke estate house party doubles her suspect list. With the help of her trusty maid and her precocious pug, Katherine risks it all to unmask the killer. But is winning her freedom worth putting another debutante in mortal danger?

England, 1941. The tranquil village of Crofter’s Green seems like a haven from the chaos of wartime. But when a local air raid warden is found dead in the village churchyard, five villagers--some getting on in years and none of them policemen--decide they need to uncover the truth.

Claire Barclay finds a home in England after 25 years of travelling. She has money, a tour guide business, and ambitions. She is shocked by the murder in her quiet village, but is not going to give up on the haven she has finally found. With the help of her sister, the barracuda barrister, her new dog, new friends, and the unexpected stimulus of a new man in her life, she deals with suspicion, confusion, and threats.