
A Doll House
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Henrik Ibsen
Nora Helmer has everything a young housewife could want: Beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.
Recorded in Los Angeles before a live audience at the James Bridges Theater, UCLA in September, 2011.
Director: Rosalind Ayres
Producing Director: Susan Albert Loewenberg
Calista Flockhart as Nora Helmer
Tony Abatemarco as Dr. Rank
Tim DeKay as Torvald Helmer
Jeannie Elias as Anne-Marie/Helene
Gregory Itzin as Nils Krogstad
JoBeth Williams as Mrs. Linde
Associate Producer: Christina Montaño. Recording Engineer/Sound Designer/Mixer: Mark Holden for The Invisible Studios, West Hollywood. Sound Effects Artist: Tony Palermo. Editor: Wes Dewberry
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old fashioned
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Nice production
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Any additional comments?
If Happy Endings don't matter to you, you might love this book. Might.A "theater audio-book". The book was entertaining in the beginning. The humor increasingly lagged with each chapter. As the end drew near I hoped for a happy ending. Real life does not always have happy endings; I prefer stories that do. The story ended with a loud noise - without giving the story away - I don't know for certain what the noise intended to signify. Neither choice was happy.
I gave this book a 3 because it held my attention. It is short and I wanted to see how it ended.
If Happy Endings Don't Matter ...
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Calista Flockheart is the best Nora! A wonderful performance by a stellar cast.
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What made the experience of listening to A Doll House (Dramatized) the most enjoyable?
Great performance of a classic. I've heard about it for years but never seen the play. Betty Friedan references it in The Feminine Mystique, so that reminded me to get A Doll House. I'm so glad I did. It's not just for feminists, so don't let that idea fool you. It's just good.Classic!
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not what I expected
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a referendum on equality
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I first saw the play in London approximately 25 years ago. I liked it then and I like it now. Nora had literally lived her life for her father and then for her husband with no thoughts of her own needs; she has been their doll. When she comes to that realization, the reality that she is a person in her own right, Torvald is too set in his own views of marriage that he fails to see that it should be a true partnership. So he forces Nora to leave so she can live her life rather than living exclusively to meet his needs. My wife and I celebrated the 47th anniversary of our marriage partnership yesterday. Ibsen's drama deserves some credit for making such marriages more common.
The performance is quite good, but Calista Flockhart's Nora character was much better performed than the other parts.
Unwilling to be her father's or her husband's doll
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Never heard before
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Great listening. Compelling narration!
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