Novedades

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind.

Apartheid Tropical conta a história de como, após abolição da escravatura, o Estado brasileiro escondeu em sua leis mecanismos sofisticados de segregação racial com o objetivo de eliminar a população negra do país, se estruturando a partir de micro-histórias que ajudam a reconstruir uma história maior. Cada episódio tem um eixo-temático e pelo menos um personagem negro como fio condutar da narrativa que ajuda a explicar os mecanismos legais de segregação do Brasil. Essas são as “micro-histórias”.

The fight for women’s rights was supposed to have been settled. Or, to put it another way, women were supposed to have settled—for what we were grudgingly given, for the crumbs from the table that we had set. For thirty per cent of the seats in Canada’s Parliament; for five per cent of the CEO’s offices; for a tenth of the salary of male athletes; for the tiny per cent of sexual assault cases that result in convictions; for tenuous control over our health and bodies. "Aren’t we over it yet? No, we’re not," Elizabeth Renzetti writes.

Emmett Till’s murder is one of the most infamous in American history; a moment that, more than any other, awakened the world to the racism of the Deep South. Yet despite growing up just a few miles from where it happened, Wright Thompson knew nothing of it until he left Mississippi. This is no accident: the cover-up began at once, and it is ongoing. Over the course of five years’ research, Thompson has learnt that almost every part of the standard account of Till’s killing is wrong.

O conceito de "democracia racial" foi (e ainda é) um mantra do orgulho nacional. Daqueles que recusam a realidade. Uma das maiores referências na defesa dos direitos dos negros no Brasil, mesmo após sua morte, Abdias Nascimento sobrepõe testemunhos pessoais, reflexões, comentários e críticas, opondo o discurso oficial sobre a condição social e cultural do negro brasileiro à realidade, fazendo a desconstrução do que se convencionou chamar de "democracia racial", cenário utópico e irreal.

Inmitten einer scheinbar tief zerrütteten und krisengeschüttelten Gesellschaft fragt Franziska Schutzbach nach Perspektiven der Verbundenheit. "Wir müssen noch miteinander eine große Freiheit erringen." Das schrieb Bettina von Arnim an ihre Freundin Karoline von Günderode. Seither sind viele Jahre vergangen, die Emanzipation der Frauen ist vorangeschritten – vor allem dann, wenn sich Frauen aufeinander bezogen.

Narrated by the daughter of one of the team members, Janice Barton, with unprecedented access to the secrets and insights of the first ever woman's team, this is a multi-generational story celebrating the power of a group of women who refused to accept the status quo - revealing how the events of 1971 shaped mother and daughter's lives both personally and professionally.