Novedades

The nine narrative episodes of Volume Four of the Emmy® Award-winning Netflix Original series Love, Death + Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson. Introduction by John Scalzi, with stories by John Scalzi, Stant Litore, Siobhan Carroll, Bruce Sterling, John McNichol, Dave Hutchinson, Marc Laidlaw, and Robert Bisi & Andy Lyon.

Northumberland, 1838. The TARDIS crash lands on board a sinking steamship. Stranded, the Doctor and the few survivors fight for their lives – while the local lighthouse keeper’s daughter, Grace Darling, risks her life to row to their rescue. Lauded a heroine, Grace struggles to cope with her new-found fame. But the Doctor senses something else troubling Grace. She’s been tormented by the terrifying vision she saw out at sea in the storm. There’s a monster in her mind, wrecking ships and stealing the souls of the drowned. And it’s real.

When a psychic shriek for help nearly overwhelms the TARDIS, the Doctor and Belinda track the source to a distant planet. There they find a sentient, telepathic bioship named Adama and ragged colonists descended from the original crew. Adama is dying, and their spectral screams are growing strong enough to kill anyone in the vicinity.

On July 1st, 1934, the PCA began rigorously enforcing the Hays Code, and a period of moralistic governance and censorship in the motion picture industry commenced. It was the Great Depression, also a period of economic hardship. America wouldn’t enter World War II until the end of 1941. The people wanted entertainment… a distraction from the realities of life. And despite having to wear a code-adorned straitjacket, Hollywood delivered… producing some of the most epic, memorable, cherished, and enduring films ever made. Take a journey with former Sentinel Ridge Pictures producer and ...

Years on from Trainspotting Sick Boy is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity which to him represents one last throw of the dice. However, to realise his ambitions within the Adult industries, Sick Boy must team up with old pal and fellow exile Mark Renton.

Los Angeles, 1934. In the throes of the Great Depression, the motion picture industry is producing some blockbuster hits that will stand the test of time for a century to come. And yet, while studios like RKO, MGM, Paramount, and Warner Bros. are turning out box office smashes, Malcolm Kenilworth’s underdog Sentinel Ridge Pictures is barely making ends meet… at risk of becoming a statistic amidst the landscape of economic despair that’s gripping the country. Add to that, the looming threat of increased censorship with the upcoming rigid enforcement of the Hays Code… and it’s ...