Novedades

The ultrarich hold more of America’s wealth than they did in the heyday of the Carnegies and Rockefellers. Here, Evan Osnos’s incisive reportage yields an unforgettable portrait of the tactics and obsessions driving this new Gilded Age, in which superyachts, luxury bunkers, elite tax dodges, and a torrent of political donations bespeak staggering disparities of wealth and power. With deft storytelling and meticulous reporting, this is a book about the indulgences, incentives, and psychological distortions that define our economic age.

"Government, like Circe, turns men into swine," David Mamet writes in his latest political tour de force. Prepare to be challenged, enlightened, and entertained by The Disenlightenment as Mamet dissects the modern world with enthusiasm, wisdom, and lots of references to movies about the mafia. Once a stalwart of liberal thought, Mamet now turns his penetrating gaze on the cultural milieu that nurtured his artistic growth, revealing how America's elites have twisted our institutions into tools of manipulation.

A critic explores the paradox of finding community in “the dozens” while grieving. A violent town ritual causes an all-too-familiar moral panic. An email thread between friends on why we need an updated Green Book but for public toilets. All across the nation, “Karens” become illegal overnight. These are just a few of the hilarious worlds contained in Damon Young’s groundbreaking anthology featuring the best, funniest, and Blackest essays, short stories, letters, and rants.

In What Water Holds, a series of lyrical essays first shared at Oregon’s FisherPoets Gathering, Tele examines questions of equity, identity, community, the changing climate, and sustainability with loving, detailed attention, revealing the complexities within their many shades of gray.

The Person Sitting in Darkness by Mark Twain is a searing political satire that exposes the hypocrisy and brutality of imperialism at the turn of the 20th century. With his signature wit and razor-sharp critique, Twain challenges the moral justifications used by Western powers—especially the United States—in their global conquests.

After a decade of teaching writing and literature at the college level, Gideon Rappaport taught high school English for thirty-two years, during which time he was also teaching adult education classes, working as a theatrical dramaturge, and writing. This volume collects in Part I the chapel talks and speeches he gave at the two high schools at which he taught, in Part II his book and movie reviews, and in Part III other writings, including letters to former students and weblog posts.

A deeply insightful take on how hate and insecurity can be intertwined, and an endearing love letter to the natural world, ‘On the Purpose of Hating’ is one of the most renowned essays from the brilliant mind of William Hazlitt. In ‘On the Purpose of Hating’, Hazlitt explores the complexities of hatred. He compellingly argues that hatred can have a self-destructive edge, and can do just as much harm to the person who harbours it as the subject of it. At its heart, hatred is merely a coping mechanism to manage our own shortcomings.

This book is an ideal drinking companion for any fan of real ale, craft beers and the traditional British pub. Dipping into the literary barrels of the past five hundred years, this anthology delivers a heady brew of poems, prose passages and quotations in praise of real ale from writers such as Robert Louis Stevenson, Samuel Johnson, Edgar Allen Poe and Robert Burns.

Dos años después de la publicación de “Yo Leo Indie”, el autor revisa el estado actual de la autopublicación en España. La situación ha evolucionado bastante (y en la buena dirección, en casi todos los aspectos) y cada vez hay más autores que se deciden por la edición independiente. Sin embargo, el rechazo de la industria editorial y la falta de soporte institucional, unidas a la limitada capacidad de estos autores para tener una visibilidad frente al público en general no permite que esta actividad económica se afiance, complementando (que no sustituyendo) a esa industria ...

« Mes grands-parents ont grandi à l’Est de l’Europe, dans des pays de grands froids. Ils ont connu le chaos, les persécutions et l’exil. Plus qu’un désir, une fascination, la France fut pour eux une intuition. Même si tout cela m’est inconnu, cela ne m’est pas étranger. Je porte en moi leurs racines et aujourd’hui, sans que je les convoque, elles se rappellent à moi. ».