Novedades

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

Candace Parker is a living legend. Her storied career includes three WNBA titles, two Olympic gold medals, and countless MVP Awards. Her career accolades are endless and her impact on the WNBA beyond measure, but Candace is even more inspiring off the court. A proud wife and mother of three, whose love story resonated with the LGBTQ+ community around the world, Candace is fiercely purpose-driven, paving the way for the WNBA’s rise in American culture, and for female basketballers to have the impact and platform that used to be reserved for the NBA. But this success didn’t happen by accident.

In the wake of a catastrophic two-year relationship, Melissa Febos decided to take a break: For three months she would abstain from dating, relationships, and sex. Her friends were amused. Did she really think three months was a long time? But to Febos, it was. Ever since her teens, she had been in one relationship after another with men and women. As she puts it, she could trace a “daisy chain of romances” from her adolescence to her midthirties. Finally, she would carve out time to focus on herself and examine the patterns that had produced her midlife disaster.

Writing in his own singular voice, Barry Diller delivers both an astute and entertaining business memoir and a surprisingly frank coming-of-age story. After starting his career in the mailroom of the William Morris Agency, Diller went on to have one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four.

TALES OF A CRESTVIEW KID is a debut memoir about a teenaged, horror-loving, heavy metal lesbian in smalltown PA during the 70s through the 90s. It is a heartfelt collection of comedic tales about questionable ghosts, strange family, stranger friends, and shady characters through a lense dipped in LSD.

“Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now.

Highlighting influential individuals from 1850-1950 who are all but unknown today, Eli Erlick shares 30 remarkable stories from romance to rebellion and mystery to murder. These narratives chronicle the grit, joy, and survival of trans people long before gender became an everyday term.

Raven E. Black never thought she'd be a Tarot reader. Missionary? Teacher? Writer? Sure. Tarot Reader? No way! But Raven followed her path and wrote the bestselling memoir, The Reluctant Tarot Reader: Adventures in the Gypsy Trade (2011) while continuing to explore what it means to be a professional Tarot reader and healer. With this new book of essays, The Reluctant Tarot Reader: 21 Years. 78 Lessons, we now have an additional 78 lessons that Raven has learned over two decades and thousands of clients -- with spectacular successes and stumbles along the way. What is life, if not a matter ...

Zami: A Carriacou name for women who work together as friends and lovers.

Journalist Daniel Brook retraces Hirschfeld's rollicking life and reinvigorates his legacy, recovering one of the great visionaries of the twentieth century. In an era when gay sex was a crime and gender roles rigid, Hirschfeld taught that each of us is their own unique mixture of masculinity and femininity.

For years, Tommy Dorfman turned her back on her thoughts and emotions, hoping they’d simply go away. After a lifetime of confusion, she finally gained clarity around her gender and began to transition. But there were still parts of herself she’d locked away, elements of her story that she needed, for the first time, to fully confront. She sought guidance in a tarot deck. Maybe This Will Save Me is structured through the cards of that tarot pull.

In sixteen wholly original essays that blend memoir, cultural criticism, investigative journalism, and a dash of fanfiction, Walker places her own experiences within the larger context of the pressing and underdiscussed aspects of contemporary American womanhood that make up daily life. She explores the allure and violence of assimilating into white womanhood in all its hegemonic glory, exposes the ways in which the truth of trans women's reproductive healthcare is erased in favor of reactionary narratives, and considers how our agency is stripped from us—purely on account of our bodies.

So Many Stars knits together the voices of trans, nonbinary, genderqueer, and two-spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world. This singular project collects the testimonies of twenty elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations—who can more fully exist in the world today because of these very trailblazers.

In 1983, Thomas Mallon was still unknown. A literature professor at Vassar College, he spent his days traveling from Manhattan to campus, reviewing books to make ends meet and searching the city for his own purpose and fulfillment. The AIDS epidemic was beginning to surge in New York City, the ever-bustling epicenter of literary culture and gay life, alive with parties, art, and sex. Though he didn’t know it, everything would soon change for Mallon.

Through the eyes of a reporter and the stomach of a hungry gay man, Dining Out examines the rise, impact and legacies of the nation's gay restaurants past, present, and future, connecting meals with memories. Hamburger Mary’s, Florent, a suburban Denny’s queered by kids: Piepenburg explores how these and many other gay restaurants, coffee shops, diners, and unconventional eateries have charted queer placemaking and changed the modern LGBTQ civil rights movement for the better.

It’s 1996, and Jeremy Atherton Lin has met the boy of his dreams—a mumbling, starry-eyed Brit—just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights including immigration. The pair steals away to remote forests and vast deserts, London fashion shows and Berlin sex clubs, dinner parties, back alleys, East Village hotel rooms, and San Francisco dives. Finding no other way to stay together, they shack up illicitly among unlikely allies in a “city of refuge.”

Pete Crighton came of age in the early/mid 1980s in the shadow of HIV/AIDS. Growing up in Toronto, he was terrified that his friends and schoolmates would find out that he was “different” at a time when being gay felt like a death sentence. His only comfort was music, the songs a balm to his painful adolescence. Struggling to make sense of his sexuality and fear of the disease stifled Crighton as a sexual being. Instead of exploring sex, he began curating a massive music library.

Five years after the death of his husband, G. Scott Graham thought he had equanimity. He thought he had made peace with his grief. But when a new love entered his life, everything shifted. The grief came back—different this time, disguised as hope, desire, and fear. And with it came a whole new set of questions: Can you open your heart again after unimaginable loss? Can you love fully when you know what love can cost?

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality.

Home. What does it mean to an adopted child? We are like water. We flow in, we flow out -- discovering where we belong in a world of absolutes. These are your parents. Your name. Your siblings. Your religion. Maybe. Maybe not. Before Raven E. Black became a reader of others (The Reluctant Tarot Reader, The Last Painting), she had to find out where she belonged in the world, despite the heartache and struggle of the search. Home reveals the answers she finds in the eternal questions: Who am I? Why am I here? This is her story as an adopted child.