Novedades

Stanford White was a louche man-about-town and a canny cultural entrepreneur―the creator of landmark buildings that elevated American architecture to new heights. Augustus Saint-Gaudens was the son of an immigrant shoemaker, a moody introvert, and a committed procrastinator whose painstaking work brought emotional depth to American sculpture. They met when Stan was walking down the street and heard Gus whistling Mozart in his studio.

In Dysphoria Mundi, Paul B. Preciado, best known for his 2013 cult classic Testo Junkie, has written a mutant text assembled from essays, philosophy, poetry, and autofiction that captures a moment of profound change and possibility. Rooted in the isolation of the COVID-19 pandemic, and taking account of the societal convulsions that have ensued, Preciado tries to make sense of our times from within the swirl of a revolutionary present moment.

A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.