Novedades

When Paul McCartney closed Live Aid in July of 1985, we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown, he—and many others of his generation—were just getting started. This was the time when live performance took over from records. The big names of the '60s and '70s exploited the Age of Spectacle that Live Aid had ushered in to enjoy the longest lap of honor in the history of humanity, continuing to go strong long after everyone else in the business had retired.

And After All gives the mic to the fans that launched Oasis to stratospheric fame and takes a deep dive into the band’s formation, history, and reunion. Through the lens of the fans who were there for all the songs, feuds, and incredible shows, journalist Melissa Locker examines the path Oasis charted as they cemented their place in modern rock history.

Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco, and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

The Story Of Electric Ladyland is an autobiography of the early life of Lew White and his friend from childhood, Bob Nord. It is only a fragmentary glimpse at the musical experiences and external factors that impacted them, because there was far more going on other than music. Lew and his friend Bob Nord formed their first garage band before anyone knew what a garage band was, and went on to play all around the area of Louisville, Kentucky during the early to mid 1960's. After returning from military service, Lew completed college, and opened a small record shop with his old friend in 1978....

The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions.

Max Roach didn’t just play the drums—he changed what they meant. In Max Roach: Architect of Modern Drumming, the story unfolds of a man who took rhythm out of the background and made it the engine of both innovation and resistance. From the smoky clubs of Harlem to the protests of the civil rights era, Roach’s career spanned seismic shifts in both music and American history. He wasn’t content to be a timekeeper. He was a trailblazer, composer, bandleader, and unapologetic agitator. This biography traces Roach’s evolution from a prodigious Brooklyn kid performing with Duke ...

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

Discover the soulful journey of 1960s and 70s soul music in Soul Music: The Heartbeat of the 60s and 70s and Its Lasting Echoes. This captivating book explores the rise of soul, its cultural significance, and its profound influence on modern music genres like hip-hop, R&B, and pop. From Motown’s polished hits to Stax’s gritty grooves, dive into the stories of legendary artists like Aretha Franklin, Marvin Gaye, Stevie Wonder, and James Brown, whose anthems defined an era of civil rights and cultural revolution.

En estas páginas, la exploración de la música latinoamericana conduce hacia la historia más amplia de la conceptualización de la región. Tal como sostiene Palomino: "La música proporciona así un modelo para comprender ahora los mecanismos nacionales y transnacionales que siguen produciendo el lugar de América Latina en el marco de la cultura global conflictiva y fascinante que habitamos".

Het "lied" is een zeer algemeen begrip dat vele soorten en vormen van liederen omvat. Wanneer we tegenwoordig het lied als kunstvorm beschouwen, bedoelen we in feite het lied met begeleiding van piano. Hoewel dat een ernstige beperking impliceert, behandelt Leo Samama in deze serie colleges toch overwegend dat klavierlied. Grofweg van Haydn en Mozart tot in onze tijd. Hij vertelt ook over de ontwikkeling van de spannende samenwerking tussen muziek en tekst. Begint de kracht van de muziek inderdaad waar die van de tekst ophoudt, of is de symbiose vele malen groter dan dat?