Novedades

Today it's routine to take photos from an airplane window, use a camera underwater, or watch a movie or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous. In Flashes of Brilliance, New York Times photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

«Мы находим красоту не в самой вещи, а в узорах теней, света и тьмы, которые создаёт одна вещь на фоне другой… Если бы не тени, не было бы никакой красоты» - утверждает Дзюнъитиро Танидзаки в своем эссе «Похвала тени». Эта книга – настоящий поэтический гимн японской эстетике. Танидзаки учит нас слушать красоту в малом: потускневшем металле, неглазурованной керамике, напоминая о том, что слишком много яркости и цвета могут скрыть от нас главное.

Will AI replace human creativity, or is this the dawn of a new artistic revolution? 🎨🤖 Artificial intelligence has taken the art world by storm, leaving many artists—both traditional and digital—wondering what the future holds. Is this the end of human art as we know it? Will machines take over creative work? Or is this an opportunity to expand artistic possibilities like never before? The truth, as always, lies somewhere in between. This is not the apocalypse of art, nor is it a utopia. Art-Pocalypse AI is a clear, balanced, and accessible guide that explores the real impact of ...

Step into the extraordinary world of William Verdult—an acclaimed Dutch-American painter whose work blended royal heritage, mythological influence, and raw emotional depth. From his early life in war-torn Europe to his rise among American elites, The Life and Times of William Verdult explores the artist’s journey through fame, scandal, artistic brilliance, and ultimate legacy.

In an age when studio films, straight-to-streaming releases, and television have become so homogenized as to be barely distinguishable from one another, a fiercely independent filmmaker named Anna Biller reached back to classic techniques and thematic concerns to create an instant classic. With The Love Witch, Biller made a radical statement about how far off the path modern filmmaking approaches have taken contemporary cinema. In showing us what we've lost, Biller shows us what is still to be gained. When filmmaker Matt Latham saw The Love Witch, he fell in love with Biller's style, ...