Don J. Gagnon
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City of Last Chances
- De: Adrian Tchaikovsky
- Narrado por: David Thorpe
- Duración: 19 h y 50 m
- Versión completa
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There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.
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Occupied Paris during WW2 In Fantasy World?
- De caleb en 06-19-23
- City of Last Chances
- De: Adrian Tchaikovsky
- Narrado por: David Thorpe
Extraordinary world building
Revisado: 04-15-24
I enjoyed the rich cast of characters, though at times the number of characters in a given scene could be overwhelming. Nonetheless as the story, progressed character development revealed many interesting things about main and supporting characters.
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A Modest Proposal
- Svenska Ljud Classica
- De: Jonathan Swift
- Narrado por: John Gonzales
- Duración: 24 m
- Versión completa
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Jonathan Swift almost defines satire in his biting and brutal pamphlet in which he suggests that poor (Catholic) Irish families should fatten up their children and sell them to the rich (Protestant) land owners, thus solving the twin problems of starving children and poverty in one blow. When the "Proposal" was published in 1729, Swift was quickly attacked, and even accused of barbarity - the exact state the "Proposal" was written to expose.
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Ttttt
- De Don J. Gagnon en 08-10-20
- A Modest Proposal
- Svenska Ljud Classica
- De: Jonathan Swift
- Narrado por: John Gonzales
Ttttt
Revisado: 08-10-20
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Proof
- De: David Auburn
- Narrado por: Anne Heche, Jeremy Sisto, full cast
- Duración: 2 h y 14 m
- Grabación Original
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An enigmatic young woman. A manipulative sister. Their brilliant father. An unexpected suitor. One life-altering question. The search for the truth behind a mysterious mathematical proof is the perplexing problem in David Auburn's dynamic play. Starring Anne Heche and Jeremy Sisto, Proof is a winner of the 2001 Tony award for Best Play as well as the 2001 Pulitzer Prize for drama.
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Excellent adaptation of the Pulitzer Prize play
- De Robert en 09-15-04
- Proof
- De: David Auburn
- Narrado por: Anne Heche, Jeremy Sisto, full cast
Oh! how near . . .
Revisado: 04-25-19
The four characters in the play are well developed and the plot is interesting. The main character, Catherine, is a lively young woman who—having taken care of her mathematically gifted and mentally challenged father, Robert, recently deceased and appearing as a ghost or hallucination and during flashbacks—might have inherited both her father’s genius and his instability. For a while, Auburn kept me guessing whether she had or hadn’t. Robert’s former graduate student Hal who becomes romantically involved with Catherine, and Catherine’s caring yet controlling sister struggle with the same questions. After several intriguing plot twists, the conflict is resolved in a difficult but believable reconciliation. This thought provoking, moving play addresses the inheritance of and relationship between brilliance and madness—probably manic depression—with compassion and insight, humor and seriousness.
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Mona Lisa Overdrive
- De: William Gibson
- Narrado por: Jonathan Davis
- Duración: 10 h y 50 m
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The award-winning William Gibson goes beyond science fiction to the broader mainstream fiction audience. His unique world features multinational corporations and high-tech outlaws vying for power, traveling the computer-generated universe.
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Narrator is Fantastic
- De Bootless en 01-15-10
- Mona Lisa Overdrive
- De: William Gibson
- Narrado por: Jonathan Davis
Engaging. Revolutionary. Suspenseful. Thought-provoking.
Revisado: 12-24-17
By the time I reached the surreal final chapter of Gibson’s brilliant Sprawl trilogy, I learned to expect the unexpected. Nevertheless, I was pleased to be surprised by one last impossible probability, cleverly foreshadowed, the answer to a question inevitably expected, the key to a mystery ultimately revealed. I’m glad I read the trilogy in chronological order—Neuromancer, Count Zero, Mona Lisa Overdrive. I enjoyed getting to know the unique characters and experiencing their development amid a continually evolving arc of related plots, consistent and changing.
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