Brian

Verity Fitzroy and the Ministry Seven have the run of London, and that is the way they like it. While she loses herself in machines and adventures, and the work they get from the Ministry of Peculiar Occurrences, why her parents were killed remains a mystery she can't leave alone.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

There is no time to rest for Eliza D. Braun and Wellington Thornhill Books. The man who has haunted and hounded them since the fall of the Maestro, Doctor Henry Jekyll, is now on a killing spree, using bizarre, theatrical murders as a way to taunt their inability to capture him. It falls on Books and Braun to turn the tables on Jekyll and bring him to justice. As Wellington and Eliza continue their pursuit of the madman, Jekyll, the Ministry of Peculiar Occurrences stand against a recent surge in House of Usher activity.

The chase is on! After rescuing Queen Victoria from the clutches of the Maestro, Agents Eliza D Braun and Wellington Books are in hot pursuit of Dr. Henry Jekyll. While he continues his experiments on the aristocracy of Europe, he leaves a trail of chaos and despair in his wake. However, when Eliza and Wellington run him to ground in India, they are forced to come face to face with ghosts from the past, and the realities of empire.

In the year 2045, reality is an ugly place. The only time Wade Watts really feels alive is when he’s jacked into the OASIS, a vast virtual world where most of humanity spends their days. When the eccentric creator of the OASIS dies, he leaves behind a series of fiendish puzzles, based on his obsession with the pop culture of decades past. Whoever is first to solve them will inherit his vast fortune—and control of the OASIS itself.