OYENTE

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Total
3 out of 5 stars
Ejecución
2 out of 5 stars
Historia
4 out of 5 stars

Revisado: 04-30-25

1. As much I prefer audiobook reading, this is a book to hold in your hands (if possible.)
a. The narrator, Matthew Lloyd Davies, gives several important characters a strong German accent. if you read the Wikipedia entry for "Our Man in Havana" this will make a little bit of sense, but "Captain Segura" doesn't sound like a German name. I found the accents hard to understand, tedious, and suspect.
b. Matthew Lloyd Davies also imbues every single sentence with a gravity that seems to indicate that the lives of all the characters hinge upon that sentence. By the end of six and half hours, I was exhausted by this and sadly, the drama of the story didn't measure up to tension he tried to create with his reading.

2. Its a very plotty book and that was kind of fun, especially after reading End of the Affair which was the opposite.
3. Mr Wormhold is a very unlikeable name for a protagonist. Perhaps we were not supposed to like him but I don't think so.
4. I found the female characters were better drawn then the males but none measured up to the characters in End of the Affair.
5. They call this book dark comedy. Several reviews here say its funny. The premise is kind of intriguingly amusing, but I don't think its really funny. And I did not find a single line of book to be funny. But it is not overly dark either.

It was okay. Im glad I read it. But I wish I had read a physical copy. Its a short book. Check your library.

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The heave and roll of life

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 02-03-25

Love: audiobook performance by author! Tender handling of subject matter. Reverence of beauty and music.
I wanted to stay in this world longer.

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Refreshing Insights

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 05-03-24

Very well researched. Beautifully written and organized. Gently read.
I loved the themes and messages of this book and intend to share it with my own writer friends.

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Weird and wonderful

Total
4 out of 5 stars
Ejecución
4 out of 5 stars
Historia
4 out of 5 stars

Revisado: 02-25-24

I grew up in Connecticut once I had moved to New York City, owned a second home in the Berkshires for several years. The fondness for the woods, mythical catamount, long winters, and soulful houses felt nostalgic.

Mason’s mastery of story structure is evident throughout and the romp through his imagination is clever, intriguing and delightful. The pacing feels both quick and slow at the same time. I love the concept and the themes. I admire the way he moves the narrative language forward in time and even plays with different ways of telling story: epistolary, in the reading of a lecture, true crime writing, etc.

Sadly, I did not bond with any of the many well-illustrated characters, despite their many hardships and challenges. This includes the yellow house (and I have a real soft spot for old clapboards and stone chimneys.) I did care for the apple trees. The occasional moments of absurd narrative I found jarring. Occasionally a word or phrase Mason chose felt wrong or out of place. While I appreciated the talent for writing the poems and songs interspersed between the various stacked stories that make up this novel, I didn’t need them and I would have preferred a nearer exploration of the characters so I cared more. Even those, however, were written artfully and surprised me as a reader.

His beautifully-researched passion for the natural world decorates the pages and creates a vivid sense of a changing place. At times, his descriptions of bird and bug felt slightly redundant but this is picayune. I expected a portrait of a house, and yes, it is that, but it is much more than that too. I wish the overarching theme of the novel had been more evident in the narrative braid from the start, rather only giving us glimpses until the very end.

I’d love to yammer on with fellow readers of North Woods about philosophy summed up at the end and the book’s many surprises and themes. Yes, a really worthy read and one that is a contender for several book awards, including The Pulitzer.

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Very disappointing

Total
1 out of 5 stars
Ejecución
1 out of 5 stars
Historia
2 out of 5 stars

Revisado: 01-15-24

This is a biography, primarily of Edward Thomas) a highly unlikeable character. Based on this book, I found Thomas to be petulent, nasty, neglectful, selfish, critical, unpredictable, maudlin, distant, weak, and misguided. His good friend, Robert Frost, doesn't fare much better.

The storytelling fell flat for me. I don't have any clearer picture in my mind about the Poetry Bookshop than I did before I read this book. One of Thomas' daughters has a very unusual name that was spoken repeatedly in the book, and I still couldn't tell you what it is. The various other poets (aside from Ezra Pound and Robert Frost) are undeveloped and completely unmemorable and yet the author feels the need to return to them in summary in the final chapter. I couldn't remember one story about how they befriended, interacted with, or were hurt by Edward Thomas by that point in the slog. I can honestly say there was not one character in this entire NF book that I cared about.

The audiobook recording was all wrong. The reader, Joanna Giaquinta, has a strong American accent and at times, it sounds like she is sucking on a hardcandy while reading. Worse, is that she reads the entire book with a singsong. This is the story of a poor and depressive Welsh poet who struggles in every aspect of his British life and eventually finds fulfillment in the potential of dying for England in the War. To have a cheery and breathy American woman reading it was so completely wrong. Then when she read the poems, she read them with very odd and confusing emphasis. I'm sure the ghost of Edward Thomas was horrified as he eavesdropped. I've audiobooked other non-fiction books loaded with quotes. I've even audiobooked artbooks that have plates that show the artwork the writer references (usually included as an accompanying PDF). This book had no PDF of poems. Ms Giaquinta did not change inflection or voice between the narrative and the poems the writer used to emphasize a point. Thus, there were numerous points when I had no idea if we had drifted into a poem or if a poem had ended. The audiobook experience was probably one of the worst I've ever had, including computer-generated voices.

I did not DNF this book because I really wanted the information the book should have contained. I hoped that by finishing it I would at least appreciate his war poetry. Once Giaquinta's voice fades from memory I will revisit his poems in print. But from this book, they did not strike me as powerful, insightful, vividly drawn, nor moving.

There were a few things I did gain from reading this book. I have a better understanding about the English process of becoming a WWI soldier and how unlikely and unlucky it was to actually be sent to the action. I thought I knew about Robert Frost but in truth, I really was ignorant of his time, life and personality. This means I'll need to read a biography of Robert Frost. Also what I heard about The Poetry Bookshop has further intrigued me and I would like to read something else but a different author about it. It gets one star for all that. But sadly I do not recommend this audiobook at all.

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A few too many shards

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
2 out of 5 stars

Revisado: 12-13-23

I loved the innovative storytelling and the channeling of Anne Quinn or Virginia Woolf or Leonora Carrington in this piece. Super high marks for the attempt. And I'm sure part of my disappointment comes from missing cues I wish I were smart-enough or informed-enough to have recognized. I am sure its very clever for the bits I did recognize, I really enjoyed.

Bennett masterfully contrasts the brainy aspirations the narrator has formed from her imaginings and the things she has read on the page with the reality of her life at checkout-19. Despite this juxtaposition, In terms of eliciting an emotional response, this book did not do it. I felt nothing.

Although the pacing felt slow and the hiccuping style dragged on the story, I never found the book dreary or boring. There were spells when I was lost in the shattered fragments, not sure if I was in the narrator's imagination, in her reality, or in some story she had written. Despite losing the thread of the story, I remained engaged. This must be due to the repetition and poetic voice. Anyway, I did like this book. I found it very intriguing.

I think what she is doing is artful and clever. I'm not sure it is entirely successful.

I wish the story stayed with the exploration of her creativity and didn't get sidetracked into all the other aspects of her life. I feel the style lent itself very well to showing us how thoughts drift in, drift out, develop, grow, fade, vanish, become monstrous, turn into a tale, resolve. But when she was trying to tell the story of a women from a poor area of Brighton, I felt the style choice was in the way. Still, Kudos to Bennett for the attempt and for making it onto the NYTimes Best Books of 2022. I'm quite sure it deserved that ranking. I recommand any struggling fiction writer to read it. Butt keep an open mind.

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Worth the time it takes

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 11-03-23

I've been to Marseille and I've gazed out at the Chateau d'IF. I've walked the streets of Ptigliano. I almost know Paris. So the setting of this book grips me even before the story begins. I know the grit of Marseille and can imagine it during this unique moment in French history. I'm quite intrigued by Napoleon's phenomenon and so this unique moment also interests me as a backdrop. I thought The Three Musketeers dragged at times and was agonizingly sexist at others. I did not feel that at all with The Count of Monte Cristo (TCMC). The pacing was lively and the story had excellent forward movement throughout.

What did I like?
I thought the characters were well drawn for 1844. Edmond Dantes, Abbe Faria, Gaspard Caderousse, the Morrel family and Baron Danglars amongst the most vivid.
I loved the sapphic love between Eugenie Danglars and Louise D'Armilly.
The dungeon scenes were especially riveting despite pitch blackness and solitary confinement.
The joyful set-up and inciting incident carry you through all 1200 pages.
I love the way the reader roots for Edmond's vindication but as the plot become more and more sinister one naturally hesitates, questions.
The courtroom scene is incredible.
Unlike Hugo and Dickens, Dumas avoids of giving a political lecture midway through his novels. I appreciate that.

What didn't work for me.
Of course, the casual every-dayness of slaves is (to say the least) uncomfortable.
Given the length of this story, I find the omission of how we get from the island of Monte Christo to the Count's fabulousness in Italy and then Paris to be a bit absurd. In fact, there are several aspects that seem impossible. There is a bit of the fantastical in it. But taken as an allegory, I can accept it.
The female characters were, at best, one-dimensional. And for the most part, there for the gratification of a man or men. I know it would be expecting too much from a male writer in 1844 to show anything else but it makes me cringe.
I found the backstory for Haydee to be a bit laborious.
I viewed Mercedes, Albert and even Benedetto as loose ends.
I felt the forgiveness scene deserved a bit more development.
I didn't really understand the scene when Franz Epinay visits the cave on the Island of Monte Christo. I realize it was a way to have the Count and Epinay form a bond, but I don't think the scene matches either Epinay nor Monte Christo. Throughout the novel, I kept waiting for that scene to have relevance. It never did for me. Did I miss something?

Overall, I very much enjoyed the 3.5 months I spent reading it. I found the book has made me think about revenge in new ways. I am not a vengeful person and it isn't a response I generally have. But I hoped Edmond would be vindicated...that his accusers would get their just desserts. That means the book has a good set up.

I also thought about Napoleon and the loyalty he garnered--how political divisions can make men hate and kill each other, in this case for generations. I thought about the power of love, both love that never will be and the hope of love. There is a sprinkling of faith, mercy, and forgiveness in this book. Its obvious that church doctrine wasn't the highest priority for Dumas. But still he presents the righteous vs unrighteous. One idea I have explored in my own fiction writing is the idea of how we react to the events that life hands us. I found myself musing on this a lot in TCMC. Then there is the waiting: Edmond waits for his release, for his love, for vengence; the Morrels wait for a miracle; Haydee waits for love and awakening; Caderousse waits for easy opportunities; Danglars waits for his fortune to rebuild, waits for supper; Villefort waits for more death to happen in his house. And they each have their hopes too.

The audiobook was excellent. I didn't speed it up. If I am going to reread a tome, more likely it will be Les Miserables or Middlemarch. Not this one. But I'm glad I did it once and you should too.

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Brilliant!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 01-15-23

I love this novel. What a great way to begin 2023 than with this book.

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A meandering book for those who love learning

Total
4 out of 5 stars
Ejecución
4 out of 5 stars
Historia
4 out of 5 stars

Revisado: 05-25-22

This meandering look at the Americans who moved to Paris between 1830 and 1900 is organized in chronological order and is twisted with a light history of the City of Paris, and thus French history. In the beginning, I was struck by the dullness of the writing style despite my interest in the characters and places being discussed. But as the book progressed, the writing became more illustrative and the stories were more vivid. Still, it frequently reads more like a history book than a novel. I learned a great deal from this well-researched non-fiction collection of interwoven stories and I enjoyed the learning immensely. I found myself doing additional research at the end of my reading to learn even more about a few characters or historic details. To me, that is a sign of a good read, when it sparks my curiosity to go even deeper. I'm particularly enthralled by Elihu Washington, whose name I didn't even know before reading this book and at least according to McCullough, he's an important American hero. I found and watched two C-SPAN BookNotes interviews with Brian Lamb: one with David McCullough at the release of this book, and the other with Mike Hill, David McCullough's research assistant who wrote his own biography of Elihu Washburne based on the diaries he uncovered in researching McCullough's book. This is the perfect book if you are looking to learn a little more about The Paris Rebellion, The Second Empire, The Franco-Prussian War, or The Paris Commune, or any of the American expats who were influenced by Paris between 1830-1900 and brought those influences back to the US. Also it works well as an audiobook and the reader does a fine job. During the chapters on various artists, I frequently listened to it with Google open so I could look up the image of a painting or sculpture being discussed.

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Girl Grit in the Mountains

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 06-15-21

It was with a lot of trepidation I embarqued on this book but I'm happy to say, Ms Chambers writes about her Hill Women with affection, respect, reality, and very little romance or condescension. She opens with her unique view today and flashes back to a barefoot childhood picking tobacco with the women who formed her. She takes us on a tour of her life, focusing on the women who inspired, influenced, advised and disappointed her along the way. Considering her own very-real challenges, make the challenges of her mother, aunt or granny all the more poignant for the reader. Through the generational comparison, spoken and assumed, we feel the strength of these women to perservere and thrive. Their unspoken sisterhood shines through.

This is no feminist manifesto, but it is the story of women who endured, had fun, held a family together, and watched out and cheered for each other.

I found it to be an excellent way to penetrate a community of people who have fascinated me for decades. I found my way to the Appalachians through the old-timey mountain music and the sad coal mining stories of Hazel Dickens and others. The jaw-dropping beauty of the landscape west of Staunton VA and all the way down into eastern KY keeps me coming back. The inability to make political choices that actually do make a positive difference in their daily lives and their strong religious attachments after generations of hardship and bad luck, astounds. But the hills still gleam green and resound with the twang of beautiful, if not sorrowful, ballads. We've always wanted to understand the complexity of this swath of America more deeply. I think Hill Women accomplishes this best of any critical writing or article we've encountered.

While we do see the writer wrestle with her life choices and the conflicts it presents, this book is clearly not an autobiography, nor a memoire. The book's thesis is defined, articulated, and well-evidenced. By the end of the book, she has effectively made her case.

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