JBHarris

Helga Crane yearns to become more than she is and to feel the world more intensely. She consequently dismisses her native Chicago, New York's Harlem, Copenhagen even. She also passes on opportunities for extended family, for marriage, and for true love. What is always latent in this truly outstanding work; is how much the background of 1920's American racial segregation defines Helga's malaise, and how much - paradoxically - is of herown doing.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Jemele Hill’s world came crashing down when she called President Trump a “white supremacist”; the White House wanted her fired from ESPN, and she was deluged with death threats. But Hill had faced tougher adversaries growing up in Detroit than a tweeting president. Beneath the exterior of one of the most recognizable journalists in America was a need—a calling—to break her family’s cycle of intergenerational trauma.

In this long-overdue celebration of Black women’s resilience and unheralded strength, the revered, trailblazing White House correspondent reflects on “The Year That Changed Everything”—2020—and African-American women’s unprecedented role in upholding democracy.

BloodFresh is a creative collection of honest poems and short stories that takes risks in pulling itself out of disappointment, loss, and trauma only to operate in triumph by way of survival. This body of work speaks to the inner child, the everyday person, and future happy self told through Ebony Stewart, also known as the Gully Princess. Welcome to BloodFresh.

The first full-length collection of poems from Rachel Wiley, whose work spans from body image, to love and loss, and feminism. Fat Girl Finishing School is a love letter to Wiley’s living body. When confronted with fatphobia, racism, misogyny, and shame, each poem chooses self-love, despite society’s expectations of conformity. More than just a book about one single identity, Fat Girl Finishing School makes intersectionality dimensional. This is a book steeped in experience; every story is striking, powerful, and unmistakably palpable.

Light-skinned Black woman Irene Redfield encounters an old childhood friend - Clare - who is now "passing" as a White woman. Clare is married to a racist White man, who doesn't know she has African American blood. In spite of the danger of being found out by her husband and society at large, she finds herself helplessly drawn to Irene's world.

From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power. Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful - a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and an audiobook that cements Saeed Jones as an essential writer for our time.

Luvvie Ajayi Jones is known for her trademark wit, warmth, and perpetual truth-telling. But even she's been challenged by the enemy of progress known as fear. She was once afraid to call herself a writer, and nearly skipped out on doing a TED talk that changed her life because of imposter syndrome. As she shares in Professional Troublemaker, she's not alone.

Eugenie Bearhani (1760-1835) was born in Calcutta, raised in Haiti, and brought as a servant - a free woman of color - to America by an English officer on the eve of the American Revolution. Yet none of that prepared Eugenie for her next employer: Colonel Aaron Burr, who some whispered had made a pact with the devil. The lines between master and servant soon tangle and blur, and first attraction becomes dangerous obsession. Many historians deny she even existed, but she and the children she bore to Burr were very real - so was her little-known marriage to America's first true villain.