Laurel A. Lussen

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people.

When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticising the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

To Those who Appreciate Wisteria and Sunshine. Small medieaval Italian Castle on the shores of the Mediterranean to be Let Furnished for the month of April. This small advertisement sparks something long dormant in the reluctant hearts of two downcast London women - the possibility of happiness.

Under-appreciated until now, The Lost Girl is perhaps D.H. Lawrence's most beautiful, thoroughly contemporary, love story. This captivating novel charts the journey of a woman caught between two worlds and two lives, one mired in dreary, industrial England and a life of convention, the other set in the vibrant Italian landscape holding the promise of sensual liberation.