Annie Wilson

A group of young drug addicts - led by drug dealer Jared Hatcher - plan to rob the wealthy Cohen family on Halloween to escape their dead-end town outside of Las Vegas. They devise the perfect plan with the perfect victims and the perfect getaway. But one act of violence quickly leads to another, triggering a chain reaction of never-ending mayhem.

Back again is ex-New York Police Detective Charlie "Bird" Parker, who has returned to his hometown of Scarborough, Maine, after the vicious killings of his wife and daughter; it is time to leave the bloodstained streets of Manhattan and rebuild his family's house - as well as his own life.

Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her thirtieth birthday. Right on time.

On the day she was abducted, Annie O’Sullivan, a 32-year-old Realtor, had three goals: sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever-patient boyfriend. The open house is slow, but when her last visitor pulls up in a van as she’s about to leave, Annie thinks it just might be her lucky day after all.

True crime writer Wylie Lark doesn’t mind being snowed in at the isolated farmhouse where she’s retreated to write her new book. A cozy fire, complete silence. It would be perfect, if not for the fact that decades earlier, at this very house, two people were murdered in cold blood and a girl disappeared without a trace.

Jane Harris lives in a sparkling home in an oceanfront gated community in Orange County. It’s a place that seems too beautiful to be touched by sadness. But exactly one year ago, Jane’s oldest daughter, Mary, died in a tragic accident, and Jane has been grief-stricken ever since. Lost in a haze of antidepressants, she’s barely even left the house. Now, that’s all about to change.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

For Detective Sam Porter, the words "Father, forgive me" conjure memories long forgotten; a past intentionally buried. For Anson Bishop, these three words connect a childhood to the present as he unleashes a truth concealed for decades. Found written on cardboard near each body, these words link multiple victims to a single killer - discovered within minutes of each other in both Chicago and South Carolina - clearly connected yet separated by impossible miles.

Psychiatrist Dr. Gwen Moore is an expert on killers. She’s spent a decade treating California’s most depraved predators and unlocking their motives - predators much like the notorious Bloody Heart serial killer, whose latest teenage victim escaped and then identified local high school teacher Randall Thompson as his captor. The case against Thompson as the Bloody Heart Killer is damning - and closed, as far as Gwen and the media are concerned. If not for one new development.

Will Trent is a brilliant agent with the Georgia Bureau of Investigation. Newly in love, he is beginning to put a difficult past behind him. Then a local college student goes missing, and Will is inexplicably kept off the case by his supervisor and mentor, deputy director Amanda Wagner. Will cannot fathom Amanda’s motivation until the two of them literally collide in an abandoned orphanage they have both been drawn to for different reasons. Decades before, when his father was imprisoned for murder, this was Will’s home.