Jacqueline Wesolowski

It is Samhain - the Blood Harvest. Nonbelievers call it Hallowe’en. The night when eight Nashville teenagers are found dead, with occult symbols carved into their naked bodies. It’s a ritual the killers believe was blessed by Death himself. When children are victimized, emotions always run high, and this case has the public both outraged and terrified: a dangerous combination. Recently reinstated homicide lieutenant Taylor Jackson knows she has to act quickly, but tread carefully.

Andrea Sachs, a small-town girl fresh out of college, is hired as the assistant to Miranda Priestly, the successful editor of Runway magazine. Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn. As things escalate from the merely unacceptable to the downright outrageous, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether the job is worth the price of her soul.

They were a perfect and beautiful family - until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: She must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims - a bit too strongly.