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It starts with the body of a Hollywood producer in the trunk of a Rolls-Royce, shot twice in the head at close range - what looks like "trunk music", a Mafia hit. But the LAPD's organized crime unit is curiously uninterested, and when Harry follows a trail of gambling debts to Las Vegas, the case suddenly becomes more complex - and much more personal.

When Jack and Elizabeth meet as college students in the gritty '90s Chicago art scene, the two quickly join forces and hold on tight, each eager to claim a place in the thriving underground scene with an appreciative kindred spirit. Fast-forward twenty years to suburban married life, and alongside the challenges of parenting, they encounter the often-baffling pursuits of health and happiness from polyamorous would-be suitors to home-renovation hysteria.

Meet the Tobin family. Joy - the mother: Unconscious in a hospital bed, Joy's latest act has thrown the family into turmoil. Frances - the middle child: Seemingly perfect wife and mother, Frances is having inappropriate dreams about an ex, and might be about to derail her whole life. Conor - the protector: Successful and famous, high-flyer Conor is walking a fine line between self-promotion and self-detonation. Sinead - the baby of the family: Bohemian rebel, trying to write the story she needs to tell, but despising herself for failing to do it.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn’t always think it. You’d have to know them to know that—in spite of what the neighbors might say about raised voices and dramatic scenes—their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It’s a story of terrible betrayals and fierce loyalties, isolation and togetherness, of transgression, forgiveness, desire, and love.