Mchelle125

Based on the bestselling Audible Original by Anthony Khaseria, THE RATCATCHER is a thrilling police drama for fans of Joy Ellis and Michael Wood. It's been twelve weeks since Dresden Commissioner Paula Beyer was sent to the small town of Freidorf to investigate the disappearance of several teenagers. Now she is sitting opposite a psychologist who is tasked with figuring out whether Paula's statements about the case are true, or whether she needs to be suspended until further notice.

Elizabeth is a demure 23-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl - but four separate, self-destructive personalities.

Paige Barrett was living her dream as a journalist in New York City, racking up bylines as a staff writer at The Razor, a cutting-edge online magazine. But when she’s suddenly fired from her job and dumped by her boyfriend, she finds herself back home in the quaint seaside town of Shoreham, Florida, waiting tables and living in her sister’s guesthouse. Restless and itching for something meaningful to occupy her time, she decides to launch a true-crime podcast about the death of Jessica Cady, a beloved teacher who died mysteriously 20 years earlier.

Nestled in the mountain shadows of Alabama lies the little town of Wicklow. It is here that Anna Kate has returned to bury her beloved Granny Zee, owner of the Blackbird Café. It was supposed to be a quick trip to close the café and settle her grandmother’s estate, but despite her best intentions to avoid forming ties or even getting to know her father’s side of the family, Anna Kate finds herself inexplicably drawn to the quirky Southern town her mother ran away from so many years ago, and the mysterious blackbird pie everybody can’t stop talking about.

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What’s in a name? A lot. The name Tinaca, for example, has been passed down in the Jones family for generations of women. In fact, the Joneses name a Tinaca every other generation, to let the name breathe a little. To let each Tinaca shine. And shine is exactly what Tinaca Jones intends to do.

After more than a decade, when sisters Nikki, Sami, and Tori Knotek hear the word mom, it claws like an eagle’s talons, triggering memories that have been their secret since childhood. Until now. For years, behind the closed doors of their farmhouse in Raymond, Washington, their sadistic mother, Shelly, subjected her girls to unimaginable abuse, degradation, torture, and psychic terrors. Through it all, Nikki, Sami, and Tori developed a defiant bond that made them far less vulnerable than Shelly imagined.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening, her husband, Gabriel, returns home late from a fashion shoot, and Alicia shoots him five times in the face and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety.

When they met at an airport, it was love at first sight. But in time, everything collapsed. As an unnamed but unforgettable woman muses on her life—from meet cute to marriage and parenthood—her recollections inexorably build to a devastating truth. In this shattering performance, Carey Mulligan, star of the critically lauded drama An Education, captivates audiences with playwright Dennis Kelly’s harrowing ruminations on family, ambition, gender, and violence.

Sir John Penlyon is planning to spend Christmas at his estate with his niece and his friend Danby, the closest thing he has to family since disowning his daughter years ago. (She eloped with the parson, who was, of course, penniless.) Danby suggests that at Christmastime the estate needs the presence of small children, and offers to find some - the “hirelings” - despite Sir John’s skepticism. Three children duly arrive, and the youngest, precocious four year-old Moppet, quickly endears herself to Sir John.