James A. Hill

When Horus the Warmaster rebelled against the Emperor, the ensuing civil war nearly destroyed the Imperium. War raged across galaxy, pitting Astartes against their battle-brothers in a struggle where death was the only victor. But long before that, the Legions struggled with their identities and the demands of the Great Crusade. From battles with alien invaders to conflicts within a Legion, and even dealing with a wayward primarch, these stories show the battles fought as the Great Crusade draws to a close and the Horus Heresy begins....

If you happen to find a map in a dead buccaneer's sea trunk, you can't very well ignore it, not if you are Jim Hawkins and his friends Dr. Livesey, Captain Smollett, and Squire Trelawney! But even with a map, buried treasures are not easy things to come by.

Having recovered from his grievous injuries, Warmaster Horus leads the triumphant Imperial forces against the rebel world of Isstvan III. Though the rebels are swiftly crushed, Horus' treachery is finally revealed when the planet is razed by virus bombs and Space Marines turn on their battle brothers in the most bitter struggle imaginable.

The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan - poet, diplomat, soldier - until a summer afternoon of savage brutality changes their relationship forever.

Charlie Travers figures his life can’t get much worse. He lives over a pizza restaurant, he’s lost his girlfriend, and has no prospects for a career. Then, he’s abducted by an alien robot and taken across the galaxy. When he wakes up, he finds himself stranded thousands of light-years away, and about to be killed by space pirates.

When she first went to sea in April of 1961, the US nuclear submarine Thresher was the most advanced submarine at sea, built specifically to hunt and kill Soviet submarines. In The Death of the USS Thresher, renowned naval and intelligence consultant Norman Polmar recounts the dramatic circumstances surrounding her implosion, which killed all 129 men onboard in history's first loss of a nuclear submarine.

When Penny Dahl calls the Finders Keepers detective agency, hoping for help locating her missing daughter, Holly Gibney is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just passed away. And Holly is meant to be on leave. But something in Penny’s desperate voice makes it impossible to turn her down. Meanwhile, mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. But they are also harboring a shocking, unholy secret.

It was the ultimate death game in a nightmare future America. The year is 2025 and reality TV has grown to the point where people are willing to wager their lives for a chance at a billion-dollar jackpot. Ben Richards is desperate - he needs money to treat his daughter's illness. His last chance is entering a game show called The Running Man where the goal is to avoid capture by Hunters who are employed to kill him.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a horrific accident when he was seven, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. When Charlie is seventeen, he meets a dog named Radar and her aging master, Howard Bowditch, a recluse in a big house at the top of a big hill, with a locked shed in the backyard. Sometimes strange sounds emerge from that shed.

How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to each other that isn't true? While tackling these questions, Malcolm Gladwell was not solely writing a book for the page. He was also producing for the ear. In the audiobook version of Talking to Strangers, you’ll hear the voices of people he interviewed - scientists, criminologists, military psychologists.