Anon

An unnamed country is leaving the darkness of a decade at war, and to commemorate the armistice, the government commissions a new road connecting two halves of the state. Two men, foreign contractors from the same company, are sent to finish the highway. While one is flighty and adventurous, wanting to experience the nightlife and people, the other wants only to do the work and go home. But both men must eventually face the absurdities of their positions and the dire consequences of their presence.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

Julie knows it’s unusual that a professional wrestler runs a constant commentary on her life that only she can hear. But grief can be awfully funny sometimes. National Book Award nominee Bryan Bliss delivers a thought-provoking, one-of-a-kind novel about how to tread the line between moving on and holding on. Dispatches from Parts Unknown is for fans of David Arnold, Nina LaCour, and You’ve Reached Sam.

It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man.

Crapalachia is a portrait of these formative years, coming-of-age in rural West Virginia. Peopled by colorful characters and their quirky stories, Crapalachia interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.

Clare has been miserable since her exorcism. The preacher that rid her of evil didn’t understand that her demon - simply known as Her - was like a sister to Clare. Now, Clare will do almost anything to get Her back. After a chance encounter with the son of the preacher who exorcised her, Clare goes on an adventure through the dark underbelly of her small Southern town, discovering its deep-seated occult roots. As she searches for Her, she must question the fine lines between good and evil, love and hate, and religion and free will.

A magical, lyrical middle-grade novel that will enchant fans of Kelly Barnhill and Anne Ursu, about a girl who must take on the ultimate responsibility in her village - and the dangers of secrets kept locked away in the dark.

Lee has always seen visions: cats that his mother promises aren't really there, a homeless man who he's convinced is out to get him, and three men who give him ominous warnings in the woods. His mother and his sister Murphy try to keep him grounded in the real world. But when his mother dies in a car accident and her horrible husband tries to adopt them, Lee and Murphy flee to their grandmother's ranch, which they've only heard about in stories. But is there a reason why their mother never brought them there?

Ross Gay’s The Book of Delights is a genre-defying collection of essays that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives. His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a Black man; the ecological and psychic violence of our consumer culture; the loss of those he loves.

Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, he has learned that being an artist isn’t about your specific output, it’s about your relationship to the world.