Karen Watts

In 1954, 63-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow.

Hillbilly Elegy is a passionate and personal analysis of a culture in crisis - that of white working-class Americans. The decline of this group, a demographic of our country that has been slowly disintegrating over 40 years, has been reported on with growing frequency and alarm but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck.

Meet Ellie Cooke. When it comes to all things environmental she’s, well, a bit "green". It’s not that she doesn’t care about things like climate change and plastic pollution, it’s just that life has always got in the way of that sort of thing. But when the PR firm Ellie works for is taken over by keen environmentalist Nolan Reece, it’s clear that if she wants to save her job, she’s going to have to get serious about being green—or face being recycled.

1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of 21 years is plotting against her because he feels increasingly threatened - by Elizabeth’s intellect, independence, and unwillingness to stifle her own thoughts. So Theophilus makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum.

When, during a brewing storm, a woman appears on her doorstep looking for shelter, Annie is relieved to have the company and feels an unexplainable bond with her visitor. As the night progresses, Annie realizes the woman is no stranger. Their lives are inextricably intertwined—and Annie might just lose everything.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? In this brilliantly conceived tour de force, Stephen King - who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer - takes listeners on an incredible journey into the past and the possibility of altering it.

Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her thirtieth birthday. Right on time.

Annie Beyers has everything - a beautiful house, a loving husband, and an adorable daughter. It’s a day like any other when she takes Hannah to the pediatrician…until she wakes hours later from a car accident. When she asks for her daughter, confused doctors tell Annie that Hannah never existed. In fact, nothing after waking from the crash is the same as Annie remembers. Five happy years of her life apparently never happened.

It’s Christmas Eve, and Lara anxiously anticipates the arrival of her sister, Cleo, so she can reveal a shocking family secret that has been haunting Lara since their mother’s death. By confronting revelations about their grandfather’s shameful past, Lara is hopeful that she and Cleo can make reparations and exorcise this ghost from their lives. The ghost, however, won’t be appeased so easily....

Secrets can kill, and Danni Brooks knows that better than anyone. When her husband and two of her three children perish in a devastating house fire, Danni is sure it is arson. She’s even more sure that her and her eldest daughter, Mia, were meant to die in the fire, too. But they are just a normal family. Who would want them dead? Mia doesn’t talk. She can’t. She is locked in her own world where no one, not even her mother, can reach her.