OYENTE

Balazs Bocz

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Anglo-American rivalry in the ME in a nutshell

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 03-25-21

This book is a direct follow-up on the author's previous work, "The Line in the Sand", chronicling Anglo-French rivalry in the Middle East 1914-1948. Having listened to the previous one, I was eager to get into this. It didn't disappoint. The author is still superb in condensing very complicated processes to digestable form, and his analysis is always pointed, concise and well-grounded (the book version's footnotes and sources give you the impression that it is well-researched). The characters and their motives are again crystall clear, making this a more enjoyable piece of literature, than a great deal of actual fiction. The story it tells, while simple is also quite engrossing: how a retreating and an advancing imperial power, allies globally stick it to each other, whenever their interests clash (altough that format worked a bit better with the British and French, as they were more or less equal in terms of strength, while the great disparity between Britain and the US in the postwar period is clearly from the beginning - still, the author promotes facts over comfortable narratives).

What feels missing is the "natives". Although the various Arabic actors' points of view are clearly explained (be it individuals, like Nasser, or countries like Egypt), perhaps the book could have benefitted from inserting the "objects" of imperial rivalry more into the story. Or even outsiders, like the Iranese and the Soviets. The sources themselves show a picture of English-language orientedness, British and US archives, as well as English-language literature are listed, but not others (although the author clearly reads French). So, this is not an all-encompassing journey, but for what it is, it is very good indeed.

I was looking forward to the narration as well, which didn't disappoint at all. Peter Noble - as with the previous title - does a superb job, and deserves the ultimate praise for a narrator: he is not only clearly legible, but makes the story more, rather, than less interesting for the listener.

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