Alexander G. Conaway

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.

Christine Snow, a Chicago therapist, wakes one morning to find her live-in lover gone. At first Chris thinks that Taylor has left in a funk because they fought the night before over a minor flirtation. But too many clues point to another explanation: Either Taylor has left for Morocco and a mysterious woman there, or she has come to harm. Running the emotional gamut from anger to alarm, Christine anxiously tracks the course of Taylor's disappearance, only to discover that her trust in her lover may have been misplaced.

In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.