Charlotte

Olivia McAfee knows what it feels like to start over. Her picture-perfect life—living in Boston, married to a brilliant cardiothoracic surgeon, raising their beautiful son, Asher—was upended when her husband revealed a darker side. She never imagined that she would end up back in her sleepy New Hampshire hometown, living in the house she grew up in and taking over her father’s beekeeping business. Lily Campanello is familiar with do-overs, too. When she and her mom relocate to Adams, New Hampshire, for her final year of high school, they both hope it will be a fresh start.

One suicide. Every year. Nobody wants to go to a school nicknamed Suicide Med. Heather McKinley has always dreamed of becoming a doctor. She doesn’t even care about her medical school’s grisly history of suicides—it can’t happen to her. But after Heather’s longtime boyfriend dumps her and she finds herself failing anatomy, her world starts to crumble. The pressure is intense. People crack.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

Marianne has a life others dream of. A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline, gives Marianne a shudder of suspicion, but she knows it’s nothing - she can’t entertain this flash of paranoia.

Meggie Meyer, an anxiety-ridden debut author, can’t bear to face her upcoming book tour, but she can’t give up on her writing career just as it’s about to really begin. She comes up with a plan that’s so crazy, it just might work: She hires an actress to impersonate her for the two-week stint. Sloan Buchanan, the spunky aspiring actress, jumps at the opportunity to use her intensive acting method to sink into this unusual role, and the line between her and her character quickly begins to blur. And Rachel Drake, the no-nonsense detective, is left to put the pieces together.

Eighteen-year-old Stella Sandell stands accused of the brutal murder of a man almost 15 years her senior. She is an ordinary teenager from an upstanding local family. What reason could she have to know a shady businessman, let alone to kill him? Stella’s father, a pastor, and mother, a criminal defense attorney, find their moral compasses tested as they defend their daughter, while struggling to understand why she is a suspect.

Tina Valentine has it all: the loving family, the beautiful house, the successful career. But then Megan Pearson starts work at Tina’s law firm, and the perfect world Tina has built for herself starts to collapse, as it becomes clear that the newcomer is intent on infiltrating every aspect of her life. Something is obviously wrong with Megan, but nobody else seems to see it. As the mind games and manipulations continue, Tina comes to the sickening conclusion that now she’s opened the door to Megan, it’s going to be impossible to make her leave....

Samantha Frayn doesn’t know why Peter Bridges picks her - a nobody with bitten fingernails and a troubled childhood behind her - but she falls quickly. He’s older, charming, likes fine wine and French films, and his beautiful home has real art on its walls. Peter transforms Samantha’s life in an instant. He sees the better version of herself - the one she’s always wanted to be. It’s only normal that there’s a little friction, when she moves in, over domestic matters like where things are kept, or the proper times to eat, sleep, and shower.

For 12-year-old Cora Landry and her friends Violet and Jordyn, it was supposed to be an ordinary sleepover - movies and Ouija and talking about boys. But when they decide to sneak out to go to the abandoned rail yard on the outskirts of town, little do they know that their innocent games will have dangerous consequences. Later that night, Cora Landry is discovered on the tracks, bloody and clinging to life, her friends nowhere to be found. Soon, their small rural town is thrust into a maelstrom. Who would want to hurt a young girl like Cora - and why?

When a mysterious note arrives for six months pregnant Dr Eliana Hughes, she begins to doubt every aspect of her life - from her mixed feelings about motherhood to her marriage to Martin, who has become distant in recent months. As the person behind the note escalates their campaign to out Eli’s husband as a cheat, she finds herself unable to trust even her own instincts, and as pressure builds, she makes a mistake that jeopardises her entire future. Elsewhere, someone is watching.