Mark L.

Master storyteller Ben Bova continues his multi-volume "Grand Tour" saga chronicling humanity's exploration of near space with Titan, a fast-paced thriller focused on the first manned mission to the Solar System's most intriguing world. Skillfully blending high drama, passionate characters, and daring speculation with the latest discoveries from the current Cassini/Huygens probe of Saturn's moon, Bova has crafted a heart-stopping tale of epic adventure on mankind's next frontier.

In Ben Bova’s novel Jupiter, physicist Grant Archer led an expedition into Jupiter’s planet-wide ocean, attempting to study the unusual and massive creatures that call the planet their home. Unprepared for the hostile environment and crushing pressures, Grant’s team faced certain death as their ship malfunctioned and slowly sank to the planet’s depths. However, one of Jupiter’s native creatures—a city-sized leviathan—saved the doomed ship.

In the best-selling novels Venus and Jupiter, Ben Bova dramatized the latest discoveries about our own solar system in an epic tale of near-future exploration and development. Now Bova turns his attention to one of our system's greatest mysteries, Saturn.

When corporations go to war, standard business practice goes out the window. Astro Corporation is led by indomitable Texan Pancho Lane, Humphries Space Systems by the rich and ruthless Martin Humphries, and their fight is over nothing less than resources of the Asteroid Belt itself. Fighting escalates and the lines between commerce and politics, boardroom and bedroom blur. And the keys to victory will include physics, nanotechnology, and cold hard cash.

Visionary space industrialist Dan Randolph is dead, but his protege, pilot Pancho Barnes, now sits on the board of his conglomerate. She has her work cut out for her, for Randolph's rival, Martin Humphries, still wants to control Astro and still wants to drive independent asteroid miners like Lars Fuchs out of business. Humphries wants revenge against Pancho, and, most of all, he wants his old flame, Amanda, who has become Lars Fuchs's wife.

Grant Archer merely wanted to study astrophysics, to work quietly as an astronomer on the far side of the Moon. But the forces of the "New Morality", the coalition of censorious do-gooders who run 21st-century America, have other plans for him. To his distress, Grant is torn from his young bride and sent to a research station in orbit around Jupiter, charged with the task of spying on the scientists who work there.

Golan Trevize, former councilman of the First Foundation, has chosen the future, and it is Gaia. A superorganism, Gaia is a holistic planet with a common consciousness so intensely united that every dewdrop, every pebble, every being, can speak for all - and feel for all. It is a realm in which privacy is not only undesirable, it is incomprehensible. But is it the right choice for the destiny of mankind? While Trevize feels it is, that is not enough. He must know.

For 12,000 years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future - to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save humankind, Seldon gathers the best minds in the Empire - both scientists and scholars - and brings them to a bleak planet at the edge of the galaxy to serve as a beacon of hope for future generations. He calls his sanctuary the Foundation.

Meryl Streep’s performance of Colm Tóibín's acclaimed portrait of Mary is hailed by the New York Times Book Review as “an ideal audiobook,” presenting the three-time Academy Award-winner in “yet another great role.” Shortlisted for the Man Booker Prize, Colm Tóibín's The Testament of Mary presents Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity. In the ancient town of Ephesus, Mary lives alone, years after her son's crucifixion. She has no interest in collaborating with the authors of the Gospel. They are her keepers, providing her with food and shelter and visiting her regularly. She does not agree that her son is the Son of God; nor that his death was "worth it"; nor that the "group of misfits he gathered around him, men who could not look a woman in the eye," were holy disciples. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes a tragic heroine with the relentless eloquence of Electra or Medea or Antigone, in a portrait so vivid and convincing that our image of Mary will be forever transformed.

They are just children when they first meet: Charlotte, daughter of the French ambassador, and Hiroshi, a laundress’s son. One day in the playground, Hiroshi declares that he has an idea that will change the world. An idea that will sweep away all differences between rich and poor. When Hiroshi runs into Charlotte several years later, he is trying to build a brighter future through robotics.