Teller

Auric Goldfinger is the richest man in England―though his wealth can’t be found in banks. He’s been hoarding vast stockpiles of his namesake metal, and it has attracted the suspicion of Bond’s superiors at MI6. Sent to investigate, Bond uncovers an ingenious gold-smuggling scheme, as well as Goldfinger’s most daring caper yet: Operation Grand Slam, a heist so audacious it could bring down the world economy and put the fate of the West in the hands of SMERSH. Only 007 can stop the enigmatic millionaire and his murderous mania for gold.

How did a child of immigrants, starting with no background in the hotel business, create the world's most admired and successful hotel brand? And how has Four Seasons grown so dramatically, over nearly half a century, without losing its focus on exceptional quality and unparalleled service? Isadore Sharp answers these questions in his inspiring memoir. He started out in Toronto, the son of a modest builder from Poland, but ambition and fate rapidly took him beyond his father's three-man construction business.

Misinformation affects all of us on a daily basis—from social media to larger political challenges, from casual conversations in supermarkets, to even our closest relationships. While we recognize the dangers that misinformation poses, the problem is complex—far beyond what policing social media alone can achieve—and too often our limited solutions are shaped by partisan politics and individual interpretations of truth. In Misbelief, preeminent social scientist Dan Ariely argues that to understand the irrational appeal of misinformation, we must first understand the behavior of “misbelief”.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.