Irene Oppenheim

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. In his myriad lives he was a scholar of law, a sea adventurer, a priest, an MP—and perhaps the greatest love poet in the history of the English language. Along the way he converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain.

Set in the rural midlands of England, The Rainbow revolves around three generations of Brangwens, a family deeply involved with the land and noted for their strength and vigour. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. Their stories continue in Women in Love.

Set in the literary and journalistic buzz of late 19th-century London, New Grub Street depicts a world that George Gissing knew inside out. Elements of his own experience are diffused in different characters – in particular the struggling, talented Edwin Reardon and the young, "modern" Jasper Milvain – through which he explores the sense of crisis for writers at the time: the gulf between aesthetic integrity and commercial success. It was the first major novel to place the concept of authorship at the heart of the plot.

George Bowling, an insurance salesman, hits middle age and feels impelled to “come up for air” from his life of quiet desperation. With seventeen pounds he has won at a race, he steals a vacation from his wife and family and pays a visit to Lower Binfield, the village where he grew up, to fish for carp in a pool he remembers from thirty years before. But the pool is gone, Lower Binfield has changed beyond recognition, and the principal event of Bowling’s holiday is an accidental bombing by the RAF.

Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity.