Ann S.

In the basement of one of the world's most prestigious universities, there was a classroom lined with a collection of human skulls from around the globe. Join award-winning journalist Marc Fennell (It Burns, Nut Jobs, Stuff the British Stole) as he takes you on a captivating global journey through the mysterious Morton Cranial Collection.

Duchess Day Radley is a 13-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.

The small town of Harrod’s Reach has seen its fair share of the macabre, especially inside the decrepit old train tunnel around which the town was built. After a young boy, Sully Dupree, is injured in the abandoned tunnel and left in a coma, the townspeople are determined to wall it up. Deputy sheriff Beth Gardner is reluctant to buy into the superstitions until she finds two corpses at the tunnel’s entrance, each left with strange calling cards inscribed with old lullabies. Soon after, Sully Dupree briefly awakens from his coma.

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

Michael wanted to back out of this trip to the South of France after his wife left him, but his sister and their friends wouldn’t hear of it. His fellow houseguest Rupert isn’t in the mood, either, having recently been widowed. But rather than bonding, Michael is unsettled by Rupert’s constant needling. That and the bug bites are enough to suck the life right out of an idyllic holiday.

One September morning, Doug accidentally runs right into another surfer on the beach. There are rules about these things. The other guy should call Doug a jerk, Doug should say, "my bad", and they should both paddle back out and move on. Problem is, the other surfer doesn't want to move on. He wants to fight. And for once in his life, Doug wants to fight back.

On an isolated mountain, a stone labyrinth provides rough shelter for a band of mercenaries. At its core lies a centuries-old mystery. But in chapter two of The Boy in the Iron Box, no secret is safe. A concealed pit; an iron box, wrapped in chains; a statue of a boy. What unknowns await the anxious, disoriented team in this strange ruin? Night will tell.

Are you ready for the end? An ancient tomb is unearthed live on cable TV after months of hype. It's billed as the archeological equivalent of Shark Week. The actual footage takes a turn no one ever expected. Those minutes of footage will be combed over by governments worldwide seeking to understand what horror came out of that tomb.

Growing up, Joanne suffered at the hands of a violent boyfriend and controlling relatives, as her mother lapsed into a downward spiral following the break-up of her marriage. But the consequences of her mother's lifestyle turned out to be worse than Joanne could ever have imagined. She already knew about the baby buried in a shallow makeshift grave next to the family plot. But when Joanne came across a red plastic bin in her mother's wardrobe in 2009, she realised that the family home held an even more sinister secret.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.