Maggie B. Sennish

In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes.

In this powerful, incisive work of social and self-exploration, Melnick blends personal essay with cultural criticism to explore Parton’s dual identities as a feminist icon and objectified sex symbol, identities that reflect the author’s own fraught history with rape culture and the arduous work of reclaiming her voice.

Anchorage, 1956. When Marie and Lawrence first lock eyes at the Moose Lodge, they are immediately drawn together. But when they decide to marry, days later, they are more in love with the promise of homesteading than anything. For Lawrence, his parcel of 150 acres is an opportunity to finally belong in a world that has never delivered on its promise. For Marie, the land is an escape from the empty future she sees spinning out before her, and a risky bet is better than none at all.