OYENTE

Brent Laymon

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  • 7
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  • 9
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Distressing and Beautiful

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 12-23-18

Lissette LeCat is one of my favorite readers, and she does full justice to this early novel by Adichie about the terrorized family of a democratic activist and industrialist in Nigeria. LeCat is the reader of all the "No. 1 Ladies' Detective Agency" novels, and it's because of her narration that I love them all. "Purple Hibiscus" is a much sadder and alarming story, set during one of the many military coups that disrupted Nigeria's 20th century post-Colonial efforts to steer its own course. LeCat brings a measured, respectful narrative voice to stories that involve and belong to entirely African characters. I can't endure narrators who act out their characters as if they were on stage, so I appreciate this, as I appreciate many British narrators but very few American ones. The family's terror comes at the hands of the father, the pro-democracy activist, who is a fanatical Catholic convert subject to psychotic rages when his wife or children fail to follow his strict orders about how to behave, 24/7. As the family is pushed to the breaking point, the tension in Adichie's story draws you irresistibly on to the conclusion. LeCat is good at pronouncing Igbo names and common expressions.

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History of handguns folded into tale of intrigue

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 12-23-18

I happen to like narrations by Simon Vance, whose voice conveys a calm, wry skepticism. I also love historical fiction. This story begins with a delightfully revolting scene in which we learn the details of medieval toilet habits. You also get delicious descriptions of how the first handguns worked, how they were made and how quickly improvements followed. Rapscallions, royalty, nobility, the skilled trades and their guilds all figure entertainingly in the story. The eventual solution to the question of whodunit, as in most examples of the genre, hardly matters.

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