William Clark

George Frideric Handel’s Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras, as well as by audiences singing along with the words on their cell phones. But this work of triumphant joy was born in a worried age. Britain in the early Enlightenment was a place of astonishing creativity but also the seat of an empire mired in war, enslavement, and conflicts over everything from the legitimacy of government to the meaning of truth.

A chance meeting in Rio takes Maria to Geneva, where she dreams of finding fame and fortune, yet ends up working the streets as a prostitute. In Geneva, Maria drifts further and further away from love while at the same time developing a fascination with sex. Eventually, Maria's despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria has to choose between pursuing a path of darkness or risking everything to find her own 'inner light'.

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the kingdom of Phthia to be raised in the shadow of King Peleus and his golden son, Achilles. “The best of all the Greeks”—strong, beautiful, and the child of a goddess—Achilles is everything the shamed Patroclus is not. Yet despite their differences, the boys become steadfast companions. Their bond deepens as they grow into young men and become skilled in the arts of war and medicine—much to the displeasure and the fury of Achilles’ mother, Thetis, a cruel sea goddess with a hatred of mortals.

Set in the pre-Christian world of Glome on the outskirts of Greek civilization, it is a tale of two princesses: the beautiful Psyche, who is loved by the god of love himself, and Orual, Psyche's unattractive and embittered older sister, who loves Psyche with a destructive possessiveness. Her frustration and jealousy over Psyche's fate sets Orual on the troubled path of self-discovery. Lewis's last work of fiction, this is often considered his best by critics.

Calaf and Ishmael are two friends thrust into a world of clashing empires in third century CE Rome and Persia. Growing up in the court of the brutal Kushan emperor Timur, Calaf is Timur’s son and heir, and Ishmael is the son of Timur's scribe. They are inseparable, with ties of love and devotion that stretch back to births days apart and shrouded in mystery. When Calaf nearly dies saving Ishmael, his father is furious that the prince would risk his life for a servant, and does all that he can to separate the friends.

In 1957, four years before his death, Carl Gustav Jung, psychiatrist and psychologist, began writing his life story. But what started as an exercise in autobiography soon morphed into an altogether more profound undertaking.

In 1957, four years before his death, Carl Gustav Jung, psychiatrist and psychologist, began writing his life story. But what started as an exercise in autobiography soon morphed into an altogether more profound undertaking. The result is an absorbing piece of self-analysis: a frank statement of faith, philosophy, and principles from one of the great explorers of the human mind.

Dannie Kohan lives her life by the numbers. She is nothing like her lifelong best friend - the wild, whimsical, believes-in-fate Bella. Her meticulous planning seems to have paid off after she nails the most important job interview of her career and accepts her boyfriend’s marriage proposal in one fell swoop, falling asleep completely content. But when she awakens, she’s suddenly in a different apartment, with a different ring on her finger, and beside a very different man.