Tricia Segar

Captain Charles Wyvern owes a great debt to the man who saved his life. The best way to honor that hero's dying wish is for Wyvern to escort the man's grieving fiancee and mother safely to a new cottage home by the sea. But along the way, he learns of another obligation that has fallen on his shoulders: His uncle has died, and the captain is now the earl of Rothwell.

Tristan Gilbert, the autocratic Duke of Kendall, has a clear plan for his future—destroy his father's memory, obliterate his enemies, and become Prime Minister. Fortunately, he can accomplish all three goals by convincing Parliament to prosecute the Scottish Earl of Hadley. Once Hadley is vanquished, surely the Queen will recognize Kendall's readiness for the role of Prime Minister. But in order to succeed, Kendall must first conquer his own unnerving attraction to Hadley's hoyden of a daughter—Lady Isolde Langston.

Determined to support her mother and sisters after her father's untimely death, Charlotte Mandeville covertly crafts satirical caricatures of high society. It not only puts money in her family’s bare pockets, but ensures the haut-ton cannot guard all the power and the secrets. Anthony Yorke has a guilty conscience and a brother to exonerate. When the key piece of evidence to clear his brother's name falls into the hands of a headstrong young woman, he is willing to do whatever is required to obtain it from her.

Margaret Lovell tries her best to love everyone. But when it comes to Lord Blackwell, she doesn't care to succeed. After the young Earl of Blackwell accused her father of cheating and tricked him out of his fortune, she has despised him for causing their disgrace and lack of security. So when she learns that Lord Blackwell is on his deathbed, she cannot help but feel a lack of sympathy. With her family's financial situation worsening, she doesn't have time to think of anything else, especially the man who caused it.

At odds with love, Matthew Northcott has firmly decided that he will never marry, much to the dismay of his relatives . . . and nearly every young lady he meets. Rather than seek a marriage for himself, he attempts to find matches for others, grateful to see that love is not entirely cruel—just cruel to him. When a letter arrives from Matthew's friend Jack, asking an immense favor from him, Matthew undertakes a new challenge: Find a husband for Jack's spinster sister, Miss Cassandra Warwick, before the end of the season.

Fossi Lovejoy knows she is too odd, too intelligent, too old, and too poor to ever marry. So she busies herself in her father's ministry and her mathematical equations, choosing to focus on what she has, not what she lacks. But then Lord Whitmoor publishes one of her private theorems, taunting her to respond. Fossi is compelled to action—when you have so little in life, you defend the few things that are yours with ferocious tenacity. Even if it means matching wits with the infamous Lord Whitmoor. Can two people past their youth find unexpected love?

Anne Gallagher grew up enchanted by her grandfather’s stories of Ireland. Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time. The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of Dr. Thomas Smith, guardian to a young boy who is oddly familiar.

As a young woman, Leah Penn-Leith fell hopelessly in love with Captain Fox Carnegie—the only irrational mark on her decidedly sensible life. Fox, unfortunately, did not return her regard. Their story should have ended there—Fox left for India and Leah returned home to Scotland to rear her much younger brothers. Twenty years later, Fox appears on Leah's doorstep—older, scarred, and world-weary—proposing a marriage of convenience between them.

Caroline Clapham isn’t a world renowned artist—she’s simply a farmer’s daughter possessed of natural talent with a paintbrush. Talent that her mentor, the Countess of Inglewood, is happy to foster for a summer at her beautiful seaside estate. Caroline wants to see the world and commit its beauties to canvas, but she fears that the season will end and she will return home as insignificant as ever. The lure of an adventure and the enchanting Inglewood estate keep her dreams alive, but when she meets Edward Everly and agrees to fake a courtship with him, those dreams begin to change.

Lord Elliott Mayfield sees the new generation of his family moving in the same direction of bad matches and scandalous relationships as the last. In hopes to change their course, he establishes a "marriage campaign" to motivate them to improve themselves through making respectable matches. Peter, Elliott's eldest nephew, thinks the entire idea is ridiculous. A widower with two young daughters, he simply needs a governess, not a wife. Julia Hollingsworth has the credentials and the experience, but is too young and pretty for such a job. So why can't he stop thinking about her?