ritch dalimonte

It happens every spring. Yankees pitching great Ron Guidry arrives at the Tampa airport to pick up Hall of Fame catcher and national treasure Yogi Berra. Guidry drives him to the ballpark. They watch the young players. They talk shop. They eat dinner together and tease each other mercilessly. They trade stories about the greats they have met along the way. And the next day they do the same thing all over again. As every former ballplayer can appreciate, in that routine, every spring, there emerges a certain magic.

Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.