Vandy Starkweather

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them 20 years to find each other again. Now the American Revolution threatens to do the same. It is 1779, and Claire and Jamie are at last reunited with their daughter, Brianna, her husband, Roger, and their children on Fraser’s Ridge. Having the family together is a dream the Frasers had thought impossible.

Walt thinks he might find the answers he's looking for among the ruins of an old Native American boarding school—an institution designed to strip Native children of their heritage. He has been haunted by the image of the Fort Pratt Industrial Indian Training School ever since he first saw a faded postcard picturing a hundred boys in uniform, in front of a large, ominous building—a postcard that was given to him by Jimmy Lane, the father of Jeanie One Moon.

London: Slough House is the MI5 branch where disgraced operatives are reassigned after they’ve messed up too badly to be trusted with real intelligence work. The “Slow Horses,” as the failed spies of Slough House are called, are doomed to spend the rest of their careers pushing paper, but they all want back in on the action. When one of their own is kidnapped and held for ransom, the agents of Slough House must defeat the odds, overturning all expectations of their competence, to breach the top-notch security of MI5’s intelligence headquarters, Regent’s Park, and steal valuable intel.

All Things Bright and Beautiful is the beloved sequel to Herriot's first collection, All Creatures Great and Small, and picks up as Herriot, now newly married, journeys among the remote hillside farms and valley towns of the Yorkshire Dales, caring for their inhabitants - both two- and four-legged. Throughout, Herriot's deep compassion, humor, and love of life shine as we laugh, cry, and delight in the portraits of his many varied animal patients and their equally varied owners.

Ben Franklin's own lively story of his early years is a unique, fascinating, and influential look at this American founding father. It has been taught in schools as a moral tract, as a guide to self-improvement, and as the Great American Success Story. It also is relished both for its insight into colonial life and the mind of the man who most affected the development of our democratic form of government.

Jackman’s sister-in-law Sarah disappears to London and throws herself into the river. What drove her to this? She was a woman with a seemingly happy home life and two beloved sons. DI Jackman and DI Evans dig into Sarah’s life. And Jackman realises he knew almost nothing about his sister-in-law’s past. Then, they discover a woman in a neighbouring village died in similar circumstances. What is the connection to a convicted murderer whose family are convinced he is innocent? Who is really pulling the strings?

“The Heron” is the nickname a big-city accountant has attached to himself in his new home near San Diego, where he’s using the alias to avoid a hit man who may be after him. It seems a former client believes that The Heron has skipped town with several million dollars not his own. Don Winslow’s ensuing, entertaining yarn is by turns twisty, dark, and comical as we observe the delicate dance between the pursuer and the pursued.