erik johnson

Al Ward lives on an isolated mining claim in the high desert of central Nevada fifty miles from the nearest town. A grizzled man in his sixties, he survives on canned soup, instant coffee, and memories of his ex-wife, friends and family he’s lost, and his life as a touring musician. Hampered by insomnia, bouts of anxiety, and a chronic lethargy that keeps him from moving back to town, Al finds himself teetering on the edge of madness and running out of reasons to go on—until a horse arrives on his doorstep: nameless, blind, and utterly helpless.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

An invitation to a mysterious theatrical performance changes the lives of two women in Adam Rapp’s riveting new audio play The Cube. Magda, an upper-class White woman, is shocked to the core by what she sees—and questions her complicity. Ruth, a Black woman who played a role in the show, is thrilled to be part of it—until she discovers her performance is all too convincing. Directed by Whitney White, a visceral and truly immersive audio experience that tackles issues of race, privilege, and cultural blindness.

This program is read by the author. When detective Ron Stallworth, the first Black detective in the history of the Colorado Springs Police Department, comes across a classified ad in the local paper asking for all those interested in joining the Ku Klux Klan to contact a PO box, Detective Stallworth does his job and responds with interest, using his real name while posing as a White man.