OYENTE

David Tallman

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  • 373
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  • 3
  • calificaciones

Sloppy quality control

Total
1 out of 5 stars
Ejecución
4 out of 5 stars
Historia
5 out of 5 stars

Revisado: 07-29-18

This recording is exemplary of the all too common sloppiness and amateurishness in editorial control of audiobooks. Three serious faults recur constantly through this very long book: (1) Cuts between recording takes are loud and conspicuous, with narrator Bernard's Mayes sometimes even overlapping where breaks are clumsily spliced; (2) Background noise suggests poor soundproofing or poor equipment, presumably being jostled as Mayes moves and shifts his text during recording, with no editorial intervention to rerecord such poor quality sessions; and (3) The narrative is periodically interrupted with a woman's voice announcing that the book has been broken into smaller segments to make the download faster, and that you have reached the end of a part but not the end of the book -- legacy "junk" that no longer obtains, as the speed of download has improved and the method of playback has been refined so that the book is no longer so divided.
As to my rating of the "story," you are either interested in Plutarch or you are not and this ham-fisted rating system isn't really appropriate for this kind of book. Similarly, Mayes' performance is fine; the performance of the recording and editorial staff, however, is pathetic.

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Great book; poor reader

Total
3 out of 5 stars
Ejecución
2 out of 5 stars
Historia
5 out of 5 stars

Revisado: 09-17-11

This is a wonderful book about American anti-intellectualism, but as often seems to be the case, the reader is a problem. Particularly for a book about the decline of learning and respect for erudition in America, it is important that the reader make the effort to learn unfamiliar words in preparation for recording. The sort of person likely to read this book is also likely to be jarred by the many mispronunciations: William Shirer's last name contains a long "I," Lord Elgin's a hard "g," Alfred Kazin's is pronounced "KAY-zin," not "kazz'n," there is no "n" in the final syllable of "pundit," and Oscar Wilde wrote "The Ballad of Reading Gaol," which is not, in fact, a misprint for "goal." These are but a few of the errors I have heard without yet completing the first half of the audiobook. There is a certain irony in a book by the brilliant Susan Jacoby being butchered thus, more or less making the very point of which she writes.

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Terrible Production

Total
1 out of 5 stars

Revisado: 06-30-11

I write only in regard to the production of the audiobook, not as to the text itself, which is great and worthy. The slovenliness of the recording, with gaps, repeats, and periods where the reader is obviously having a conversation with a third party (editor? recording technician?) are beyond the minor and forgivable. Are these things not edited? Vetted by quality control? Does no one bother to listen to an audiobook before it is mass-produced and distributed? If no one at the publisher does, then someone at Audible ought to.

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