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Fear Not!
- A Christian Appreciation of Horror Movies (Reel Spirituality Monograph Series)
- De: Josh Larsen
- Narrado por: Josh Larsen
- Duración: 3 h y 6 m
- Versión completa
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Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.
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Amazing dive a tough subject
- De Nicholas en 11-30-23
- Fear Not!
- A Christian Appreciation of Horror Movies (Reel Spirituality Monograph Series)
- De: Josh Larsen
- Narrado por: Josh Larsen
Favorite Film Podcaster’s New Book
Revisado: 10-20-23
Josh Larsen co-hosts Filmspotting ,the best film podcast out there, so I was thrilled when Fear Not! came out. Really like how it is structured. Each chapter covers a specific type of horror film and the human paranoia that it taps into. For example, Zombies: Fear of Losing our Individuality. I was less interested in the religious explorations but overall found this a light, interesting and informative read that will certainly enhance my annual Halloween horror watch!
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The Wrong Kind of Women
- Inside Our Revolution to Dismantle the Gods of Hollywood
- De: Naomi McDougall Jones
- Narrado por: Naomi McDougall Jones
- Duración: 9 h y 16 m
- Versión completa
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Generation after generation, women have faced the devastating reality that Hollywood is a system built to keep them out. The films created by that system influence everything from our worldviews to our brain chemistry. When women's voices are excluded from the medium, the impact on society is immense. Actor, screenwriter, and award-winning independent filmmaker Naomi McDougall Jones takes us inside the cutthroat, scandal-laden film industry, where only five percent of top studio films are directed by women and less than 20 percent of leading characters in mainstream films are female.
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Drowning in Numbers
- De Allyson O'Rourke en 02-12-24
- The Wrong Kind of Women
- Inside Our Revolution to Dismantle the Gods of Hollywood
- De: Naomi McDougall Jones
- Narrado por: Naomi McDougall Jones
Compelling and Convincing
Revisado: 03-19-20
A compelling and convincing analysis of how and why women are still shut out of the large majority of Hollywood jobs and the impact it is having on American culture. Naomi uses data as well as her personal experiences and those of others she interviewed to make her argument--and it makes sense. More importantly, she explains what is being done to address this gross under representation and suggests additional steps as well.
Most interesting and encouraging, evidently Netflix is enjoying it huge success while employing a far more diverse set of talent than its lagging competitors...and it is paying off. They have the data to know exactly what kind of stories viewers are interested in and evidently stories by and about women sell..Note to film consumers: vote with your viewing and seek out films made by and about women!
(It made me think....could you imagine going into a bookstore or onto Audible and finding that only 8% of the titles were written by women.....?)
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How to Read and Understand Shakespeare
- De: Marc C. Conner, The Great Courses
- Narrado por: Marc C. Conner
- Duración: 12 h y 6 m
- Grabación Original
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Shakespeare's works are among the greatest of humanity's cultural expressions and, as such, demand to be experienced and understood. But, simply put, Shakespeare is difficult. His language and culture - those of Elizabethan England - are greatly different from our own, and his poetry, thick with metaphorical imagery and double meanings, can be hard to penetrate.
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To Listen or Not to Listen…
- De Ark1836 en 10-13-15
- How to Read and Understand Shakespeare
- De: Marc C. Conner, The Great Courses
- Narrado por: Marc C. Conner
Outstanding!
Revisado: 03-25-18
Highly informative series of lectures by a stellar educator. Professor Conner provides interesting and practical approaches to deepen ones understanding of Shakespeare’s plays. So glad I found this!! Very enlightening.
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Reading the Silver Screen
- A Film Lover's Guide to Decoding the Art Form That Moves
- De: Thomas C. Foster
- Narrado por: Sean Pratt
- Duración: 11 h y 42 m
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No art form is as instantly and continuously gratifying as film. When the houselights go down and the lion roars, we settle in to be shocked, frightened, elated, moved, and thrilled. We expect magic. While we're being exhilarated and terrified, our minds are also processing data of all sorts - visual, linguistic, auditory, spatial - to collaborate in the construction of meaning. Thomas C. Foster's Reading the Silver Screen will show movie buffs, students of film, and even aspiring screenwriters and directors how to become accomplished readers of this great medium.
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Movies 101
- De Jay Quintana en 10-20-17
- Reading the Silver Screen
- A Film Lover's Guide to Decoding the Art Form That Moves
- De: Thomas C. Foster
- Narrado por: Sean Pratt
Written by a dinosaur--in 2016
Revisado: 02-26-18
What could have made this a 4 or 5-star listening experience for you?
Foster's overriding message made me sad: only movies made by white men will be given serious consideration in his book.
What could Thomas C. Foster have done to make this a more enjoyable book for you?
Foster, while very knowledgeable in certain areas, has a myopic view of cinema. His lengthy discussions focus almost exclusively on movies made by white men (there is a brief mention of Nora Ephron and her RomComs) While there is no doubt that the films that he repeatedly celebrates are wonderful, the shockingly narrow focus of the collection compromises his credibility--as well as that of his editor. I would have loved to see Foster discuss films made by a richer mix of directors--men, women, people of color, etc -and demonstrate that great art is made by all kinds of people. Instead, he chose irresponsibly to perpetuate the white male myth...and that is not good for anyone.
What about Sean Pratt’s performance did you like?
Great voice, good pacing and pleasant to listen to.
If you could play editor, what scene or scenes would you have cut from Reading the Silver Screen?
The parts where he tries to demonstrate how many shots it takes to create a scene did not work. I think the first time he does this is with Bourne Identity. He counts out something like 50+ shots. This might work in a printed book but in an Audible it got tedious.
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