MarkD
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Every Heart a Doorway
- De: Seanan McGuire
- Narrado por: Cynthia Hopkins
- Duración: 4 h y 44 m
- Versión completa
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Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.
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Utterly Moving
- De tm en 07-12-16
- Every Heart a Doorway
- De: Seanan McGuire
- Narrado por: Cynthia Hopkins
An interesting concept with mediocre execution.
Revisado: 02-21-24
The premise and plot are interesting. However the author crammed in as many progressive tick boxes and social theories as they could watering it down and making it come across more like a political religious pamphlet than an interesting world and story, and the narrator consistently reads like she's half asleep. Which sort of works for the main character, but not the others, and all of it starts droning on by the end.
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Stan Lee's Alliances: A Trick of Light
- De: Stan Lee, Kat Rosenfield, Created by Stan Lee, y otros
- Narrado por: Yara Shahidi
- Duración: 11 h y 47 m
- Grabación Original
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What is more real? A world we are born into or one we create for ourselves? Legendary creator, master storyteller, and cultural icon Stan Lee sets off into a new universe in search of answers to some of the most pressing questions of our time! The only question left: Will you join him on this journey?
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About the narrator....
- De Helen en 07-03-19
Political propaganda is not entertaining.
Revisado: 01-24-20
The story had potential, if the writers had not decided it was more important to overtly shove in their political views and create ridiculous straw men characters of those they disagreed with to act as punching bags than focusing on telling the story and making it entertaining.
One can only roll their eyes so many times at any non-leftist view and it's adherents being idiotically misrepresented before it stops being worth it to endure the dumb plot-irrelevant tangents in the hopes of the actual story picking up at some point.
A pity for the narrator who was doing a decent enough job, minus a few jarring cuts and tone shifts. Hopefully next time they'll chose better content to lend their voice talent.
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Motor City Fae
- Book 1 of Urban Arcana
- De: Cindy Spencer Pape
- Narrado por: Terry Donnelly
- Duración: 9 h y 52 m
- Versión completa
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Detroit artist Meagan Kelly has had a strong sixth sense all her life, but that doesn’t mean the gorgeous stranger’s crazy story—that she’s a half-elf, half human heiress—is true. But Meagan can’t deny the evidence of her own eyes—he’s Fae. A tall, blond, handsome, pointy-eared elf—and a man she just can’t get enough of.
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Horrible narrator!
- De Samantha en 07-27-10
- Motor City Fae
- Book 1 of Urban Arcana
- De: Cindy Spencer Pape
- Narrado por: Terry Donnelly
Worst. Voice choice. Ever.
Revisado: 01-24-20
If the story had been even the slightest bit less interesting I would've quit listening and been glad of it. The heroine sounds like one of those stereotypical obnoxious secretaries with angled glasses who holds nothing but contempt for her job and those she has to deal with, droning on and on in a nasally monotone. The male lead, despite supposedly having a British accent called for, sounds at best like a muddled Jamaican. Literally every character (including those two) sound like they're half asleep, special needs, drugged, or some combination thereof. Pacing is so bad that you almost have to wonder if the narrator wasn't being paid by the hour and purposefully dragging everything out to squeeze a few more dollars out, if not for the terrible inflection making it apparent they likely aren't competent enough an actress to pull it off.
Understand in which the fact I was able to listen to the end despite the near constant desire to rip off my ears, was purely on merit of the story being one I found interesting. Though admittedly not the most original, it was decently entertaining and written well enough that- if it had been better performed- it would've been quite enjoyable indeed.
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The Lady in the Coppergate Tower
- The Steampunk Proper Romances, Book 3
- De: Nancy Campbell Allen
- Narrado por: Elizabeth Knowelden
- Duración: 9 h y 32 m
- Versión completa
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Hazel Hughes has spent her life believing she is a Medium - someone who can talk to ghosts. But as of yet, that skill has remained frustratingly elusive. She is also suffering from a reoccurring childhood dream of someone who looks almost exactly like Hazel, but this dream version of herself is slowly going mad. Sam MacInnes is a talented surgeon who runs in the highest social circles thanks to his family's position and history. When Sam hires Hazel to assist him with his medical practice, he is immediately drawn to her intelligence, wit, and beauty.
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Weak performance almost ruins it...
- De Emma M. en 05-01-20
- The Lady in the Coppergate Tower
- The Steampunk Proper Romances, Book 3
- De: Nancy Campbell Allen
- Narrado por: Elizabeth Knowelden
Excellent, right up until the last chapter
Revisado: 12-27-19
Entertaining and fun as it was, and well worth listening, the blatantly manufactured attempt at emotional manipulation at the very end was so dumb it made me cringe through the entirety of the scene that was supposed to be dramatic.
* spoiler alert*
I mean really, having a supposedly strong and intelligent woman fall utterly to pieces and become a weepy mess because her still living boyfriend got some cuts and burns, five minutes after proving she has the healing power to restore a pile of bones to a fully fleshed breathing, speaking, powerful human? Just long enough for him to stop breathing? How dumb do you really have to be to think that's even the slightest bit realistic.
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Evermore
- Emily Chambers Spirit Medium, Book 3
- De: C. J. Archer
- Narrado por: Gemma Dawson
- Duración: 7 h y 34 m
- Versión completa
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When ghosts begin to disappear from the Otherworld, Emily Chambers and her friends must hunt down those responsible before every last spirit, including Jacob Beaufort, is destroyed and Emily's livelihood along with them. But there is one thing stopping them - Jacob's killer. Weakened and fading fast, the ghost of Jacob Beaufort is determined to save Emily from a bleak and uncertain future. With her family facing financial ruin and the Otherworld in chaos, he knows her only hope is to wed Theo.
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Great story!!!
- De kat browning en 03-25-19
- Evermore
- Emily Chambers Spirit Medium, Book 3
- De: C. J. Archer
- Narrado por: Gemma Dawson
Predictable, but entertaining.
Revisado: 12-13-19
The story would be better if the motivations and characters were less dumb. It's enjoyable when there's clever plotlines with just enough hints to guess at what's happening- less so when it's so obvious that the characters must have concussions not to have done so themselves at the same time. And when you get to the reveal of the motivations of the villains and find it amounts to ridiculously overreacting emotional nonsense with no real fault in the protagonists worth mentioning since the author can't let them actually be responsible for anything bad, it's honestly a bit of a let down.
It is, however, well performed- and entertaining enough to hold interest- and at least wraps things up solidly.
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Dragons and Dirigibles
- The Gaslight Chronicles, Book 7
- De: Cindy Spencer Pope
- Narrado por: Helen Stern
- Duración: 4 h y 44 m
- Versión completa
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When airship engineer Melody McKay's dirigible explodes and plunges her into the yard of a gothic manor, she suspects foul play. With her ankle injured - an indignity far too feminine for her taste - she resolves to crack the mystery while in the care of Victor Arrington, the stuffy-yet-disarming Earl of Blackwell. Ex-Royal Navy captain Victor runs a tight house and is on a mission to protect his niece and foil a ring of smugglers using fire-breathing metal dragons.
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ummm..
- De CLS en 05-08-20
- Dragons and Dirigibles
- The Gaslight Chronicles, Book 7
- De: Cindy Spencer Pope
- Narrado por: Helen Stern
Better without the progressive fetishism
Revisado: 12-09-19
I can only think the author chose to write in this time period out of a fetishized obsession with progressive theory and a desire to make heroes of feminist nonsense- due to an understanding that it isn't a problem people actually face in any real extent anymore, and the misguided belief that it was faced in the form of every attractive man in the past being a misogynistic autocrat who had to be made to change his ways.
It gets tedious working through the straw-man caricatures she puts up as foils for her right-thinking virtuous heroines every. single. time.
But- it is what it is, and if you can slog through that mess it's interesting enough.
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House of Teeth
- De: Dan Jolley
- Narrado por: Josh Hurley
- Duración: 7 h y 15 m
- Grabación Original
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There’s more to the swamplands than meets the teeth. In this supernatural tale of magic and mysticism, Henry Lemarchand grew up in Philadelphia knowing very little of his family—his father disappeared when he was young, leaving behind only a strange pouch of animal teeth. When he is sent to the Louisiana bayou to spend the summer with his eccentric uncle and cousin in their decaying ancestral mansion, Henry learns about his family’s supernatural legacy.
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A comment
- De Mark E Higgins en 12-10-19
- House of Teeth
- De: Dan Jolley
- Narrado por: Josh Hurley
Nice story, questionable accent
Revisado: 12-09-19
It rather breaks the immersion when the teenage European descended girl sounds like a middle aged African descended woman. The story was interesting and the performance skillful apart from that choice, but it really did take some work to get used to it.
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esto le resultó útil a 5 personas
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Steam and Sorcery
- De: Cindy Spencer Pape
- Narrado por: Helen Stern
- Duración: 7 h y 50 m
- Versión completa
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Sir Merrick Hadrian hunts monsters, both human and supernatural. A Knight of the Order of the Round Table, his use of magick and the technologies of steam power have made him both respected and feared. But his considerable skills are useless in the face of his greatest challenge, guardianship of five unusual children. At a loss, Merrick enlists the aid of a governess....
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light read
- De Marcelina en 02-07-13
- Steam and Sorcery
- De: Cindy Spencer Pape
- Narrado por: Helen Stern
Enjoyable overall
Revisado: 12-02-19
I do wish authors would stop trying to shove progressive moralizing and propaganda into their works dealing with other time periods where they don't fit and wouldn't have been practiced, but once you get past that grating nonsense, the story writ large is enjoyable and the characters interesting.
It is also quite well performed- though there are a couple spots where I might have preferred different intonation and nuance, for the most part the voices fit. I will be continuing the series with pleasure.
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Brass and Bone
- De: Cynthia Gael
- Narrado por: Amanda Cobb
- Duración: 3 h y 49 m
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"Being Simon Thorne, friend and collaborator to Lady Abigail Moran, isn't easy. Yes, being a daring thief does have its charms. But I still haven't convinced Abigail that she loves me, and thievery, for all the romantical writers say of it, is not the way to wealth. Especially if Abigail insists we continuously repair the airship with our ill-gotten gains."
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Wish she had narrated the Harry Potter books!
- De Barbara en 10-13-11
- Brass and Bone
- De: Cynthia Gael
- Narrado por: Amanda Cobb
Obnoxious accents are obnoxious.
Revisado: 11-29-19
The choice to do the entire part of the female lead- I.e., the majority of the production- in a barely intelligible faux French accent was, quite frankly, a horrible one.
And in contrast having the male lead with little to no accent, sounding much like the performer was simply reading it straight, had me utterly confused when I discovered it was supposed to be the male lead and not in fact a woman as voiced him.
If anything, it should've been the other way around, reading the female part straight and the male with enough of an accent to at least make it somewhat clear it wasn't a woman's inner monologue during his lines, but alas...
If you can get through the ear cringe the story setting itself is interesting enough, though the forced tension with the antagonist and the female lead's thoughts and decisions pertaining to such just seem utterly dumb, and the story arch as such doesn't really happen and has no conclusion- indeed ending somewhat by surprise halfway into where one would expect the story to be.
I may pick up a continuation if I get bored since it comes with the subscription, but it's more for fondness of the genre which the author does portray decently than for the story itself, or certainly the performance- and certainly not something I'd pay for separately.
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The Difference Engine
- De: William Gibson, Bruce Sterling
- Narrado por: Simon Vance
- Duración: 14 h y 19 m
- Versión completa
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The Difference Engine is an alternate history novel by William Gibson and Bruce Sterling. It is a prime example of the steampunk sub-genre; It posits a Victorian Britain in which great technological and social change has occurred after entrepreneurial inventor Charles Babbage succeeded in his ambition to build a mechanical computer called Engines. The fierce summer heat and pollution have driven the ruling class out of London and the resulting anarchy allows technology-hating Luddites to challenge the intellectual elite.
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Starts strong, falls off
- De Delano en 04-22-13
- The Difference Engine
- De: William Gibson, Bruce Sterling
- Narrado por: Simon Vance
Honestly, pretty dull.
Revisado: 11-23-19
It had potential in the idea and setting... but wasted it in what became a tedious slog through a morass of political and sociological opinions thinly veneered with lifeless characters and a plodding half-baked mystery that didn't lead to anything interesting. I ultimately finished it more because I didn't have enough in my library to switch to something else until payday, rather than because of any inherent entertainment value in the piece itself.
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