David N. Starr

In the early 18th century, the Pirate Republic was home to some of the great pirate captains, including Blackbeard, "Black Sam" Bellamy, and Charles Vane. Along with their fellow pirates - former sailors, indentured servants, and runaway slaves - this "Flying Gang" established a crude but distinctive democracy in the Bahamas, carving out their own zone of freedom in which servants were free, Blacks could be equal citizens, and leaders were chosen or deposed by a vote.

"Precepts of Men" - doctrines and ideas misleading the masses that lack scriptural support - are here exposed in all their beguiling hues. Never has scriptural interpretation come under such cutting scrutiny. As found in Jewish and Mormon primary sources - principally the Bible and Book of Mormon - God's pristine Word reveals itself in layer after layer of glorious truth.

The unthinkable has happened to operative Dan Morgan. Captured by the Russians. Imprisoned in the Gulag. Tortured by his cruelest, most sadistic enemy. But Morgan knows that every prisoner has a past - and every rival can be used. With the most unlikely of allies, Morgan hatches a plan. To save what's important, he must risk everything. And that's when the stakes go sky-high. Dan Morgan's got to keep fighting. For duty. And honor. And even certain death.

EMASI! Each Man a Separate Individual! That is the rallying cry of the Seps, the resistance force engaged in a class war against the upper tiers of a society driven entirely by opinion polls. Those who score high, the High-Opps, are given plush apartments, comfortable jobs, every possible convenience. But those who happen to be low-opped live crowded in warrens, facing harsh lives and brutal conditions.

Following the defeat of Confederate forces at Chattanooga in November 1863, the battered Rebel army, including a bitter Cory Brannon, retreats slowly toward Atlanta. A large Union army led by Gen. William Sherman is marching to the coastal city of Savannah, laying waste to the territory through which it passes. Meanwhile, the Brannon family farm in Culpeper County, Virginia, is now behind enemy lines, the great plantation house in ruins.

The last half of 1863 has taken a toll on the Brannon family, but a Christmas lull in the fighting brings home Mac and Will as well as Titus, the son believed to have been killed in the war. Though his return is joyous news, Titus is devastated when he finds his wife remarried and pregnant. In his bitterness, he unleashes a personal war on the new family.

Stonewall Jackson was dead, but Confederate morale was never higher. Will and Mac, the two eldest Brannon sons, are in the ranks of the Stonewall Brigade and Jeb Stuart's cavalry. As Jackson’s former corps marches up the Shenandoah Valley, Lee's army follows, and they eventually clash at Gettysburg. Will is kept in the thick of the combat around Culp's Hill, while Mac sees action with the Southern cavalry at Hanover.

The Ghent Altarpiece is the most violated work of art in the world. Thirteen times it has been vandalized, dismantled, or stolen. Why? What secrets does it hold? Enter UNESCO investigator, Nicholas Lee, who works for the United Nations’ Cultural Liaison and Investigative Office (CLIO). Nick’s job is to protect the world’s cultural artifacts—anything and everything from countless lesser-known objects to national treasures. When Nick travels to Belgium for a visit with a woman from his past, he unwittingly stumbles on the trail of a legendary panel from the Ghent Altarpiece.

When Blake Brier crosses paths with Haeli Becher while on a relaxing weekend in Las Vegas, he finds himself in the middle of a life-and-death struggle as the mysterious woman confronts the secret organization who built her up...and now plans on tearing her down. Her attackers will stop at nothing to terminate her. Brier and his team will risk everything to save her. Even if it costs them their lives.

Who wrote Great Expectations? That’s easy: Charles Dickens. Who’s the author of Beloved? Toni Morrison, of course. Now how about the Old Testament? You’d think for a book as widely known, studied, and distributed as the Bible, the question of authorship would have been sorted out by now. But the question is more complex (and fascinating) than it seems. Why? Because asking it is to challenge everything we might assume about the Bible’s identity as a book, about what “writing” and “authorship” really mean, and about how a written text could become sacred.