William E Jimenez

Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine. Their affair persists through decades of war, adultery, murder, loneliness, and redemption.

Solène Marchand, the thirty-nine-year-old owner of an art gallery in Los Angeles, is reluctant to take her daughter, Isabelle, to meet her favorite boy band. But since her divorce, she's more eager than ever to be close to Isabelle. The last thing Solène expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship.

Eve Hatch lives for surprises! Just kidding. She expects every tomorrow to be pretty much the same as today. She loves her cozy apartment in Brooklyn that’s close to her childhood best friend Willa, and far from her midwestern, traditional family who has never really understood her. While her job is only dream-adjacent, it’s comfortable and steady. She always knows what to expect from her life . . . until she finds herself expecting after an uncharacteristic one-night stand.

Kitty Harris has it all: cosily coupled up with boyfriend Archie, she’s putting in the hours at an ad agency to land her dream job. OK, so maybe they’ve become a bit too comfortable in their routine, with pizza night every Thursday, and maybe the agency isn’t so much up-and-coming as been-and-gone, but Kitty is happy. Until one diamond ring sitting pretty in her pepperoni ruins everything. Kitty does NOT want to get married, not after being caught in the crosshairs of her parent’s destructive divorce.

The first time you meet someone, you make eye contact. You smile, say hello. Should be simple, if you're anyone but me. The first time I met Dylan Reed, I found myself making eye contact with a different part of his body. You see, I'm very good at being shy, not to mention extremely well-versed in rambling nonsense and, unfortunately, rather highly skilled at making a fool of myself in front of a guy I'm attracted to. At the time, I knew nothing about him and thought none of what I said would matter since I'd never speak to him again. Turns out, I was very wrong.

The quintessential question asked to every couple. And the answer is usually some bubbly, lovey dovey tale of being struck in the bum by Cupid’s arrow. My meet cute (well, not so meet cute) is slightly different. I was trolling a wealthy neighborhood in Beverly Hills, searching for someone to take me as their bride, you know, to make my arch nemesis jealous who consequently just fired me.

Molly Gibson, the only daughter of a widowed doctor in the small provincial town of Hollingford, lost her mother when she was a child. Her father remarries wanting to give Molly the woman's presence he feels she lacks. To Molly, any stepmother would have been a shock, but the new Mrs. Gibson is a self-absorbed, petty widow, and Molly's unhappiness is compounded by the realisation that her father has come to regret his second marriage.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.