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When Jonathan Argyll is arrested for breaking into an obscure church in Rome, he claims that it contains a long-lost Raphael hidden under a painting by Mantini. The painting disappears - then reappears in the hands of the top British art dealer, Edward Byrnes. How has Byrnes found out about the hidden masterpiece, and whom is he acting for? There is also the curious matter of the safe deposit box full of sketches closely resembling features of the newly discovered painting.

Ariadne Oliver, Queen of Crime Fiction, has been asked to devise a Murder Hunt for a fête at Nasse House, the home of Sir George Stubbs. But she begins to suspect that someone is manipulating the scenario of her game and fears that something very sinister is being planned. She sends for her old friend Hercule Poirot. At first, he is not inclined to take her very seriously, but soon a series of events propels him to change his mind.

Sir Claud Amory's formula for a powerful new explosive has been stolen, presumably by a member of his large household. Sir Claud assembles his suspects in the library and locks the door, instructing them that the when the lights go out, the formula must be replaced on the table - and no questions will be asked. But when the lights come on, Sir Claud is dead. Now Hercule Poirot, assisted by Captain Hastings and Inspector Japp, must unravel a tangle of family feuds, old flames, and suspicious foreigners to find the killer and prevent a global catastrophe.

Dashiell Hammett’s The Maltese Falcon, first serialized in a magazine in 1930, is best known through the iconic Humphrey Bogart film of 1941. But it was the book that created the classic "noir" genre with its tough private detective threading his cool way between the criminals and the law. Sam Spade, the private eye solving the mystery of the Maltese statuette, was the template for Philip Marlowe and a host of others…. but they come no more shrewd and cunning with Hammett peppering the text with one-liners.

Ruso and Tilla's excitement at arriving in Rome with their new baby daughter is soon dulled by their discovery that the grand facades of polished marble mask an underworld of corrupt landlords and vermin-infested tenements. There are also far too many doctors - some skilled - but others positively dangerous.

Philip Marlowe’s on a case: his client, a dried-up husk of a woman, wants him to recover a rare gold coin called a Brasher Doubloon, missing from her late husband’s collection. That’s the simple part. It becomes more complicated when Marlowe finds that everyone who handles the coin suffers a run of very bad luck: they always end up dead.