Mitzi Jackson

Mama Black Widow tells the tragic story of Otis Tilson, a stunning black drag queen trapped in a cruel queer ghetto underworld. In hopes of escaping the racial bigotry andeconomic injustice of the South, Otis' family journeys north from their plantation to an urban promised land. Once in Chicago, Otis and his siblings become prisoners to a wasteland of violence, crime, prostitution, and rape. This is the gut-wrenching tale of the destruction of a family and the truest portrayal of homosexuality in the ghetto ever told.

Miranda Day, known as "Mama Day", is the elderly matriarch of Willow Springs, a small sea island off the southeast coast of the United States. Mama Day finds herself pitted in mortal combat with dark forces that threaten the body and soul of her beloved great-niece, Cocoa, who has gone "mainside" and married an urban Northerner.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern Black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: Their families, their communities, their racial identities. Many years later, one sister lives with her Black daughter in the same Southern town she once tried to escape. The other secretly passes for White, and her White husband knows nothing of her past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of Black women's geographic thought. In Canada, the Caribbean, and the United States, Black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition.

In Paradise - her first novel since she was awarded the Nobel Prize for Literature - Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void.

In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the "Jes Grew" epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they'll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a "Talking Android", an African American who will infiltrate the unruly black communities and help crush the outbreak.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.