Nicholas

July 30, 1945 - The USS Indianapolis and its 1,196-man crew is making its way toward a small island in the South Pacific. The ship is sailing unescorted, assured by headquarters the waters are safe. It is midnight, and Marine Edgar Harrell and several others have sacked out on deck rather than spend the night in their hot and muggy quarters below. Fresh off a top-secret mission to deliver uranium for the atomic bombs that would ultimately end World War II, they are unaware their ship is being watched.

On the run from desperate, well-armed adversaries, Book, Rachel, and Samuel are all tested to their limits. If they're going to survive the night, a whole community will have to bear witness.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Movies do more than tell a good story. They are expressions of raw emotion, naked vulnerability, and unbridled rage. They often function in the same way as prayers, communicating our deepest longings and joys to a God who hears each and every one. In this captivating book, Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies function as expressions to God of lament, praise, joy, confession, and more.

A young couple go to Bermuda on their honeymoon. They dive on the reefs offshore, looking for the wreck of a sunken ship. What they find lures them into a strange and increasingly terrifying encounter with past and present, a struggle for salvage and survival along the floor of the sea, in the deep.

Iris Carr is tired and exhausted. Travelling by train from Switzerland to England she is surrounded by alien languages and situations which she finds difficult to comprehend. She is relieved therefore when talkative old English governess Miss Froy becomes her impromptu travelling companion. But when Iris wakes from a short sleep Miss Froy has vanished - and none of the passengers will acknowledge her existence. Is Iris mad? Or is there some more sinister reason for the woman's vanishing?

After Mina Murray asks Sherlock Holmes to locate her fiancé, Holmes and Watson travel to a land far eerier than the moors they had known when pursuing the Hound of the Baskervilles. The confrontation with Count Dracula threatens Holmes' health, his sanity, and his life. Will he survive his battle with Count Dracula?