Chris

On a summer evening in 1931, Lilly Blackwood glimpses circus lights from the grimy window of her attic bedroom. Lilly isn't allowed to explore the meadows around Blackwood Manor. She's never even ventured beyond her narrow room. Momma insists it's for Lilly's own protection, that people would be afraid if they saw her. But on this unforgettable night, Lilly is taken outside for the first time - and sold to the circus sideshow.

Juliette, now mayor of Silo 18, doesn’t trust Silo 1, especially its leader, Donald. But in the world of the Silos, there is no black and white—everything is shades of gray. Donald may not be the monster Juliette thinks he is, and may in fact be key to humanity’s continued survival. But can they work together long enough to succeed?

The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

Emma Gatewood told her family she was going on a walk and left her small Ohio hometown with a change of clothes and less than $200. The next anybody heard from her, this genteel, farm-reared, 67-year-old great-grandmother had walked 800 miles along the 2,050-mile Appalachian Trail. And in September 1955, atop Maine's Mount Katahdin, she sang the first verse of "America, the Beautiful" and proclaimed, "I said I'll do it, and I've done it."

Ada promised herself she would never go back to the Trace, to her unbearable life on the swamp, and to her harsh father in Mississippi. But now, after running away to Baton Rouge and briefly knowing a different kind of life, she finds herself with nowhere to go but back home. Matilda, daughter of a sharecropper, is from the other side of the Trace. Doing what she can to protect her family from the whims and demands of some particularly callous locals is an ongoing struggle, so she forms a plan to go north.

With their Safe Zone overrun by the undead, taking refuge in the mountains seems like the safest bet for Rose, Tom, and the other survivors. There's one catch, however—between last spring's human exodus and a neighboring group's stockpiles, there's no food left to scavenge. They know to be wary of people and zombies, but a new adversary proves itself just as relentless—hunger. Supplies are slim in the wilderness, and living off the land is easier said than done. As winter sets in, and their food dwindles to nothing, they discover how far they'll go to save the ones they love.

Whether romantic or platonic, changing relationships prove tricky for Rose, Tom, Clara, and Craig—never mind adapting to the new not-so-normal. Being surrounded by the undead is bad enough, but with a tyrant-in-training running their Safe Zone, it’s that much worse.

Rose Winter has enough problems. With a marriage going down the tubes and a dreaded anniversary party on the horizon, the last thing she needs is the zombie apocalypse. She wanted to get drunk and sing karaoke, not murder her undead neighbors. It’s clear the party’s over, however, now Rose has more problems - a missing husband, an overbearing houseguest, and keeping her family alive.

Nestled into the cliffs in southern Italy's Amalfi coast, Positano is an artist's vision, with rows of brightly hued houses perched above the sea and picturesque staircases meandering up and down the hillside. Santina, still a striking woman despite old age and the illness that saps her last strength, is spending her final days at her home, Villa San Vito. The magnificent 18th-century palazzo is very different from the tiny house in which she grew up. And as she decides its fate, she must confront the choices that led her here so long ago.

In 1919 the Turner sisters and their parents are barely scraping by. Their father is a low-paid boot stitcher in Johnson City, New York, and the family is always one paycheck away from eviction. When their father's hand is crushed and he can no longer work, their irrepressible mother decides that the vaudeville stage is their best - and only - chance for survival.