Megan C.

When literature student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating. The unworldly, innocent Ana is startled to realize she wants this man and, despite his enigmatic reserve, finds she is desperate to get close to him. Unable to resist Ana’s quiet beauty, wit, and independent spirit, Grey admits he wants her, too—but on his own terms.

Jack Lennon is a Detective Inspector trying to track down his former lover, Marie McKenna, and their daughter -- but his superiors tell him to back off. Bull O'Kane is a bitter old man who will stop at nothing for vengeance. The Traveller is an assassin without pity or remorse, who stalks Belfast, tying up loose ends. Forced into the center of it all is former IRA paramilitary Gerry Fegan, who must confront his past -- and The Traveller -- for the fight of his life.

One late fall Sunday in southern Minnesota, a farmer brings a load of soybeans to a local grain elevator - and a young man hits him on the head with a steel bar, drops him into the grain bin, waits until he's sure he's dead, and then calls the sheriff to report the "accident." Suspicious, the sheriff calls in Virgil Flowers, who quickly breaks the kid down...and the next day the boy's found hanging in his cell. Remorse? Virgil isn't so sure....

New York Times best-selling author Tana French has won the prestigious Edgar, Barry, Macavity, and Anthony awards. As her third novel featuring the Dublin Murder Squad opens, 19-year-old Frank Mackey is waiting in vain for Rosie, who he’s supposed to run away to London with. But when she doesn’t show, Frank leaves Dublin without her—thinking never to return.

Very early, 4:45, on a bitterly cold Minnesota morning, three big men burst through the door of a hospital pharmacy, duct-tape the hands, feet, mouth, and eyes of two pharmacy workers, and clean the place out. But then things swiftly go bad, one of the workers dies, and the robbers hustle out to their truck-and find themselves for just one second face-to-face with a blond woman in the garage: Weather Karkinnen, surgeon, wife of an investigator named Lucas Davenport.

Her name is Elise Freeman, and her chilling cry for help to whoever may be listening comes too late to save her. On a DVD found near her lifeless body, the emotionally and physically battered woman chronicles a year-and-a-half-long ordeal of monstrous abuse at the hands of three sadistic tormentors. But even more shocking than the lurid details is the revelation that the offenders, like their victim, are teachers at one of L.A.s most prestigious prep schools.

Forensic pathologist Janis Amatuzio first began recording the stories told to her by patients, police officers, and other doctors because she felt that no one spoke for the dead. She believed the real experience of death, namely the spiritual and otherworldly experiences of those near death and their loved ones, was ignored by the medical professionals, who thought of death as simply the cessation of breath. She knew there was more.

Fegan has been a "hard man" - an IRA killer in Northern Ireland. Now that peace has come, he is being haunted day and night by 12 ghosts: a mother and infant, a schoolboy, a butcher, an RUC constable, and seven other of his innocent victims. In order to appease them, he's going to have to kill the men who gave him orders. As he's working his way down the list, he encounters a woman who may offer him redemption; she has borne a child to an RUC officer and is an outsider too.

The Republicans are coming to St. Paul for their convention. Throwing a big party is supposed to be fun, but crashing the party are a few hard cases the police would rather have stayed away. Chief among them is a crew of professional stick-up men who've spotted several lucrative opportunities, ranging from political moneymen with briefcases full of cash to that armored-car warehouse with the weakness in its security system.

When reporter Ellen Gleeson gets a "Have You Seen This Child?" flyer in the mail, she almost throws it away. But something about it makes her look again, and her heart stops—the child in the photo is identical to her adopted son, Will. Her every instinct tells her to deny the similarity between the boys, because she knows her adoption was lawful. But she's a journalist and won't be able to stop thinking about the photo until she figures out the truth. And she can't shake the question: if Will rightfully belongs to someone else, should she keep him or give him up?