Zahra
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The Case of the Ghost of Christmas Morning
- The Anty Boisjoly Mysteries, Book 2
- De: PJ Fitzsimmons
- Narrado por: Tim Bruce
- Duración: 6 h y 34 m
- Versión completa
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In The Case of the Ghost of Christmas Morning, Wodehousian clubman, flaneur, idler, and sleuth Anty Boisjoly pits his sardonic wits against another pair of impossible murders. This time, Anty Boisjoly’s Aunty Boisjoly is the only possible suspect when a murder victim stands his old friends a farewell drink at the local, hours after being murdered.
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even better as an audio book
- De ltufromberkeley en 01-07-23
- The Case of the Ghost of Christmas Morning
- The Anty Boisjoly Mysteries, Book 2
- De: PJ Fitzsimmons
- Narrado por: Tim Bruce
Not as mysterious as the first book, but as funny
Revisado: 01-30-23
The mystery part of the book was less puzzling that I like my mysteries, but I enjoyed listening to it all the same.
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The Case of the Canterfell Codicil
- The Anty Boisjoly Mysteries, Book 1
- De: PJ Fitzsimmons
- Narrado por: Tim Bruce
- Duración: 5 h y 59 m
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There’s a literary niche for all tastes including those who think that either Agatha Christie wasn’t funny enough or that PG Wodehouse didn’t feature anywhere near as many baffling murders as he could have. The Case of the Canterfell Codicil is a classic, cozy, locked-room mystery written in the style of an homage to PG Wodehouse.
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Relaxing old fashioned mystery
- De Laurie S en 11-01-22
- The Case of the Canterfell Codicil
- The Anty Boisjoly Mysteries, Book 1
- De: PJ Fitzsimmons
- Narrado por: Tim Bruce
Quite funny and the mystery is plenty mysterious
Revisado: 01-30-23
The writing is witty and mystery is quite novel. I loved listening to it. Solve a puzzle and have a lot of laughs, what's not to like!
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West Cork
- De: Audible Original
- Grabación Original
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[Contains Mature Themes] This much we do know: Sophie Toscan du Plantier was murdered days before Christmas in 1996, her broken body discovered at the edge of her property near the town of Schull in West Cork, Ireland. The rest remains a mystery.
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Fantastically Put Together!!
- De Brittany Nicole en 12-15-20
False sense of suspense and doubt
Revisado: 03-16-22
Of course the podcasters have to say in the end that they don’t know whether he did it or not. Otherwise the entire podcast will be summarized into a single sentence, the conclusion. But I think that makes it look as if there is a reasonable doubt about it.
And I hate that they have given the murderer all the attention he craves. Also the podcasters seem to have gotten too close the “prime suspect“, daily talks and so many visits … how can they remain objective? Maybe that’s why they can’t seem to make up their mind.
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Murder and Mendelssohn
- A Phryne Fisher Mystery
- De: Kerry Greenwood
- Narrado por: Stephanie Daniel
- Duración: 11 h y 22 m
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An orchestral conductor has been found dead and Detective Inspector Jack Robinson needs the delightfully incisive and sophisticated Miss Fisher's assistance. Hugh Tregennis has been murdered in a most flamboyant mode by a killer with a point to prove. But how many killers is Phryne really stalking? At the same time, the dark curls and disdainful air of mathematician and code-breaker Rupert Sheffield are taking Melbourne by storm. They've certainly taken the heart of Phryne's old friend from the trenches of WWI, John Wilson. Phryne recognises Sheffield as a man who attracts danger and is determined to protect John from harm.
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Disappointed
- De Amazon Customer en 09-16-13
- Murder and Mendelssohn
- A Phryne Fisher Mystery
- De: Kerry Greenwood
- Narrado por: Stephanie Daniel
Not a Mystery!
Revisado: 09-27-21
Phryne Fisher books are not really about the mystery. The mystery part is just a theme. You have to convince yourself that there is something to solve. If you take out the description of everybody's clothes, the menu for every meal, recipe for cocktails and other drinks, lyrics of songs, poems, and Phryne's sexual appetite, the volume of each book would be cut in half.
And that's usually fine! If you like the characters, you just want to meet them again in another book. But this book makes no sense, Phryne doesn't really solve anything, there are too many threads that are left dangling, and most of the book is about the romance between Sherlock (renamed and made stupid to leave room for Phryne to shine) and John Watson (barely renamed to Wilson).
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Civilized to Death
- The Price of Progress
- De: Christopher Ryan
- Narrado por: Christopher Ryan
- Duración: 9 h y 20 m
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Most of us have instinctive evidence the world is ending - balmy December days, face-to-face conversation replaced with heads-to-screens zomboidism, a world at constant war, a political system in disarray. We hear some myths and lies so frequently that they feel like truths: Civilization is humankind’s greatest accomplishment. Progress is undeniable. Count your blessings. You’re lucky to be alive here and now. Civilized to Death counters the idea that progress is inherently good, arguing that the "progress" defining our age is analogous to an advancing disease.
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I couldn't stop listening.
- De Andrew in Ohio en 10-08-19
- Civilized to Death
- The Price of Progress
- De: Christopher Ryan
- Narrado por: Christopher Ryan
Patronizing to Death
Revisado: 12-22-19
It’s not a good sign when the narrator keeps pointing out how we were lied to, we are fooled and how we are wrong and so on,… It just assume so much about the reader, it gets annoying really quickly. The narrator is angry. How does that help the book?
Very early on, a thesis is established: Narrative of Perpetual Progress is a lie, we were better off before agricultural way of life was adopted. We weren’t meant to settle in one place and built things and sit in offices. We have lost our ability to live in harmony with the natural world. We can’t go back and going forward is a lie! My problem around here was: where is the rest of the book going to go from here? It’s even overtly frowned upon a reader who naively expected a solution or a proposition might be forthcoming by the end of the book. Isn’t that nice! What is the point of reading a book, if the take away is “you are doomed to be unsatisfied with life, because you were designed for a different one, and you can’t have that one. And don’t even think about a solution. Don’t believe anyone who tells you about a solution. It’s a lie.”
As far as interesting educational information is concerned, I think it was not much new in the book for me. If you have read a few Frans de Waal books and maybe Behave (by Sapolsky) and Sapiens, I don’t think there are many eye-opening ideas presented in this book. Of course the author’s assessment of the same information might be new to you, as it was to me. And you might also find some arguments downright bizarre.
I wrote a blog about why I find the book's argument inadequate, https://www.zahra.page/blog/2019/civilizedtodeath
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The Monogram Murders
- The New Hercule Poirot Mystery
- De: Sophie Hannah
- Narrado por: Julian Rhind-Tutt
- Duración: 11 h y 12 m
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Hercule Poirot's quiet supper in a London coffee house is interrupted when a young woman confides to him that she is about to be murdered. She is terrified, but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done. Later that night, Poirot learns that three guests at a fashionable London hotel have been murdered, and a cufflink has been placed in each one's mouth. Could there be a connection with the frightened woman?
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No, no and NO!
- De Zahra en 08-16-19
- The Monogram Murders
- The New Hercule Poirot Mystery
- De: Sophie Hannah
- Narrado por: Julian Rhind-Tutt
No, no and NO!
Revisado: 08-16-19
I don't know where to begin. I've listen/read almost all Agatha Christie books. Definitely all the Poirot mysteries. This is such a disappointment.
One:
This is not Poirot at all. Period. Shouting, ordering people around, mean insulting... also he never withholds important information, unless he found out something at the end of a book and hasn't had time to reveal it yet, and does so in the last tell-all moment, even then all the hints are there to at least make the reader guess what he is up to and what he suspects. Agatha Christie lays all that you need to know to solve the problem somewhere in plain sight, it never hangs on the missing info.
Two:
The narrator, the young Scotland Yard detective is simply blind! Even when Poirot is spelling things out he doesn't seem to follow the simplest reasonings. I understand that the narrator (usually) doesn't get things the right way, right away but eventually once the reader has been lead all the way to the answer what is the point of dragging the stupidity any further?
Three:
Plot holes so big you could fit an entirely new story in them! None of it makes sense. At first it looks like a highly detailed plan by the wrongdoers of the story, in the end everything about it is stupid and unnecessary. To avoid spoilers I wont say more here.
Four:
The writing! why so repetitive? why? I think the author should respect her readers more.
SPOILERS... The twists just don't make sense!
For example, Jennie leaves Lady W.'s house because they've already made their plans and she can't be there when Poirot shows up! Ok! and this has happened just shortly before Poirot shows up because we know the new maid is horribly inexperienced. Ok! meanwhile Lady W has had time enough to take the crested bowl belonging to Jennie out of the servants' quarters and put it in a guest room (what kind of lady does this?) and then Nancy (who is in on the plan) painted Lady W in that same place with the bowl in the picture, and had time enough to finish it? And then has to repaint it with a different color to hide the crest? Why paint it in the first place? The plans were already made! You either care or not care about the crested bowl. Why even say you were delivering a picture to Lady W and then stayed for dinner (alibi)? You're friends with Lady W and she is going to lie anyway, just say you were there for dinner... why bring attention to the altered picture? This is just one example of things that don't make sense at all!
Another example: Just remembering that in 1920s all lifts had lift attendants (unlike the story) the story falls apart badly. Not much of a mystery left for Poirot to solve.
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Lincoln in the Bardo
- A Novel
- De: George Saunders
- Narrado por: Nick Offerman, David Sedaris, George Saunders, y otros
- Duración: 7 h y 25 m
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February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.”
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"Where might God stand?"
- De Mel en 02-17-17
IMPOSSIBLE TO LISTEN TO
Revisado: 05-02-18
I didn't last an hour in the book with all the citations breaking in every two or three words.
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