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In 1932 Eleanor Roosevelt entered the claustrophobic, duty-bound existence of the first lady with dread. By that time she had put her deep disappointment in her marriage behind her and developed an independent life - now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next 30 years, until Eleanor's death, the two women carried on an extraordinary relationship.

The Other Name follows the lives of two men living close to each other on the west coast of Norway. The year is coming to a close and Asle, an aging painter and widower, is reminiscing about his life. He lives alone, his only friends being his neighbor, Åsleik, a bachelor and traditional Norwegian fisherman-farmer, and Beyer, a gallerist who lives in Bjørgvin, a couple hours drive south of Dylgja, where he lives. There, in Bjørgvin, lives another Asle, also a painter. He and the narrator are doppelgangers—two versions of the same person, two versions of the same life.

It’s the late 1960s, and two lovers converge on an arid patch of earth in South India. John Walker is the handsome scion of a powerful East-Coast American family. Diane Maes is a beautiful hippie from Belgium. They have come to build a new world - Auroville, an international utopian community for thousands of people. Their faith is strong, the future bright. So how do John and Diane end up dying two decades later, on the same day, on a cracked concrete floor in a thatch hut by a remote canyon? This is the mystery Akash Kapur sets out to solve in Better to Have Gone.