Mary Webber

When college professor Ellie McKay walks into the Maverick Bar in Farmington, New Mexico, late one evening, she plans to get drunk, not engaged. But within 30 minutes, she’s met cowboy Al Robison, he’s proposed to her, and she’s accepted. Al only knows that Ellie is attractive, vulnerable, and single; he doesn’t know that she has been on the run for weeks from a sociopath who killed her surgeon boyfriend in Pennsylvania and raped and tortured her.

“I now pronounce you husband and wife.” There are few phrases as sobering, with the possible exceptions of “We have lift-off” and “This country is at war.” Yet, as they have done for centuries, millions of courageous men and women continue to walk down the aisle every year, without so much as a job description. Now, in her most autobiographical book, Erma Bombeck puts it all in loving and laughing perspective, as she looks back on her own forty-three-year-but-who’s-counting marriage.

In the humorous, heartfelt new novel by the author of The Next Thing on My List, a personal organizer must somehow convince a reclusive artist to give up her hoarding ways and let go of the stuff she’s hung onto for decades.

The hardscrabble folks of Troublesome Creek have to scrap for everything - everything except books, that is. Thanks to Roosevelt's Kentucky Pack Horse Library Project, Troublesome's got its very own traveling librarian, Cussy Mary Carter. Cussy's not only a book woman, however, she's also the last of her kind, her skin a shade of blue unlike most anyone else. Not everyone is keen on Cussy's family or the Library Project, and a Blue is often blamed for any whiff of trouble.

Successful New York editor Jen Gibbs is at the top of her game with her new position at Vida House Publishing - until a mysterious manuscript from an old slush pile appears on her desk. Turning the pages, Jen finds herself drawn into the life of Sarra, a mixed-race Melungeon girl trapped y dangerous men in turn-of-the-century Appalachia.

Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. But behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul.

Sterling is an ordinary New Hampshire town where nothing ever happens - until the day its complacency is shattered by an act of violence. Josie Cormier, the teenage daughter of the judge sitting on the case, should be the state's best witness, but she can't remember what happened before her very own eyes - or can she? As the trial progresses, fault lines between the high school and the adult community begin to show - destroying the closest of friendships and families.

Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her thirtieth birthday. Right on time.

Everything changes in a single moment for Dawn Edelstein. She’s on a plane when the flight attendant makes an announcement: Prepare for a crash landing. She braces herself as thoughts flash through her mind. The shocking thing is, the thoughts are not of her husband but of a man she last saw 15 years ago: Wyatt Armstrong. Dawn, miraculously, survives the crash, but so do all the doubts that have suddenly been raised.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.