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Sikthand hadn't planned to take the stubborn little human hostage. But with political tensions at an all-time high, he had no choice. He would unflinchingly use her as a bargaining chip to secure better relations with the new Tremantian ruler. He would not, however, fall prey to her charms. When Sophia and Sikthand realize how far their enemies are willing to go to grab galactic power, they're forced into an unlikely alliance-and possibly a marriage of convenience-to protect their people. It's a good plan, too, if they don't do anything irrational along the way. Like falling in love.

Chief Drokal’s fearsome strength and iron will have allowed him to dominate his rivals, but now he seeks the one thing he can’t conquer in battle: a mate. Cleo is too busy putting her skills with technology to use in human territory to worry about being sold to a savage war chief, but when her auction day arrives, she has no choice but to step up to the block. And that’s when one thing becomes terrifyingly clear: Chief Drokal can’t take his eyes off her. He’s going to bid whatever it takes to claim her.

Reckless desire sends Charlotte Daicheston into the garden with a dashing masked stranger. He's powerful and unforgettable, a devastatingly handsome footman who lures her - not against her will - into a grand indiscretion at a masquerade ball. Then he vanishes. Several years later, after Charlotte has made her dazzling debut in London society, they meet again. But the rogue is no footman. He's rich, titled, and he doesn't remember Charlotte. Worse, he's the subject of some scandalous gossip.

On a splendid August afternoon, Susanna Osbourne is introduced to the most handsome man she has ever seen...and instantly feels the icy chill of recognition. Peter Edgeworth, Viscount Whitleaf, is utterly charming - and seemingly unaware that they have met before. With his knowing smile and seductive gaze, Peter acts the rake; but he stirs something in Susanna she has never felt before, a yearning that both frightens and dazzles her.

Immediately following the success of Little Women, Louisa May Alcott sat down to write An-Old Fashioned Girl, expanding on the subject of rich versus poor that she explored in her first novel. It’s a story of a country mouse and a city mouse: 14-year-old Polly Milton travels to Boston for a stay with her friend Fanny Shaw. The wealthy Shaws’ way of life is foreign to Polly who tries to adapt but is quickly labeled “old-fashioned”. Fanny and her friends dress and behave as their elders do, flirting with boys and gossiping.