Greg Carter
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Magpie Murders
- A Novel
- De: Anthony Horowitz
- Narrado por: Samantha Bond, Allan Corduner
- Duración: 15 h y 48 m
- Versión completa
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When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.
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A British Whodunit
- De Sara en 07-24-17
- Magpie Murders
- A Novel
- De: Anthony Horowitz
- Narrado por: Samantha Bond, Allan Corduner
Missed Opportunity
Revisado: 04-13-25
There is something so original in the plot twist, that I was dying to see how Horowitz would write his way out of it. Unfortunately, he dropped the ball.
The contemporary story is dull, the connections and puzzles are contrived, and ultimately idiotic. If I were Horowitz’ editor, I would have told him to leave the original mystery unfinished and unsolved. THAT would have been remarkable and thought provoking.
Instead, Magpie loses steam at the 2/3 point and isn’t worth finishing.
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Margaret the First
- A Novel
- De: Danielle Dutton
- Narrado por: Lucy Rayner
- Duración: 4 h y 43 m
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Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th-century duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when being a writer was not an option open to women.
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A short, vibrant, nearly perfect novella
- De Darwin8u en 01-06-20
- Margaret the First
- A Novel
- De: Danielle Dutton
- Narrado por: Lucy Rayner
Meaningless
Revisado: 10-09-24
Towards the end of the story, Margaret says in agony “I said nothing!”
This is a good summary of the novel. I’ve never read a more meaningless book. The characters have no inner monologue, no feelings, no ambitions. If writers are taught to “show, don’t tell”, then Danielle Dutton was absent from school that day. Margaret the First is essentially a 100+ page list of events. We know that a character is sad when the author says “She was sad.” Not by experiencing the character’s challenges or point of view.
Utterly pointless.
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The Nature of Fragile Things
- De: Susan Meissner
- Narrado por: Alana Kerr Collins, Jason Culp
- Duración: 10 h y 39 m
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Sophie Whalen is a young Irish immigrant so desperate to get out of a New York tenement that she answers a mail-order bride ad and agrees to marry a man she knows nothing about. San Francisco widower Martin Hocking proves to be as aloof as he is mesmerizingly handsome. Sophie quickly develops deep affection for Kat, Martin's silent five-year-old daughter, but Martin's odd behavior leaves her with the uneasy feeling that something about her newfound situation isn't right.
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The Nature of Fragile Things is a 5 star listen!
- De Kathy… send to help my husband to sleep!! en 02-04-21
- The Nature of Fragile Things
- De: Susan Meissner
- Narrado por: Alana Kerr Collins, Jason Culp
Show don’t Tell
Revisado: 08-27-24
This is a plot-driven narrative with almost no interior discovery. Strikingly impersonal for a first-person story. In scenes of high tension, Sophie reveals nothing of herself, but does mention every tear that falls—from her own eye or from those of others. The mention of these single dripping tears becomes relentless as the novel proceeds. But it’s the only way the author can think to suggest emotion.
A promising story that died in the vine. Multiple scenes in which the lead character explains to new characters what happened earlier in the book. Then in the next house, she does it all over again. If I had been reading a paper copy, I supposed I could have skipped these moments. I wish an editor had cut them out before it got to me.
Ultimately, an amateurish effort.
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The Ballad of Jacquotte Delahaye
- A Novel
- De: Briony Cameron
- Narrado por: Angel Pean
- Duración: 12 h y 36 m
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In the tumultuous town of Yáquimo, Santo Domingo, Jacquotte Delahaye is an unknown but up-and-coming shipwright. Her dreams are bold but her ambitions are bound by the confines of her life with her self-seeking French father. When her way of life and the delicate balance of power in the town are threatened, she is forced to flee her home and become a woman on the run along with a motley crew of refugees, including a mysterious young woman named Teresa.
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Was this written by an AI?
- De M. L. Hays en 07-29-24
- The Ballad of Jacquotte Delahaye
- A Novel
- De: Briony Cameron
- Narrado por: Angel Pean
So Much Vomiting
Revisado: 08-04-24
This is not really a novel. It reads like a novelization of a Star Trek movie. The plot is active, the characters are fun, and there is a structure that demands resolution. In the end, no one cares about the dozens of red shirts who die in the story—the lead characters all survive to smile and smirk and prepare for the sequel.
But what is with the retching and vomiting? There is more puke in “The Ballad of JD” than dialogue. It starts in paragraph one and recurs in every conflict. It’s hilarious.
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Asymmetry
- A Novel
- De: Lisa Halliday
- Narrado por: Candace Thaxton, Arthur Morey, Fiona Hardingham, y otros
- Duración: 8 h y 3 m
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Told in three distinct and uniquely compelling sections, Asymmetry explores the imbalances that spark and sustain many of our most dramatic human relations: inequities in age, power, talent, wealth, fame, geography, and justice. The first section, "Folly", tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War.
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This is not a fair review. Doesn’t work in audio format.
- De Elizabeth en 02-16-18
- Asymmetry
- A Novel
- De: Lisa Halliday
- Narrado por: Candace Thaxton, Arthur Morey, Fiona Hardingham, Aden Hakim
Main Character is Repulsive
Revisado: 08-04-24
My patience was tested by part one, ran out during part two, and then insulted by part three.
I wish I knew why this novel was published. The recurring character (the aging author) is repulsive without context. The woman who connects with him in part one has virtually no inner story. She doesn’t really care about anything, yet she is our only window into the author’s life—who needs softening, because everything he says or does is selfish and gross.
When he returns in part three, the woman is gone and he is just a bloated talking head. Every word of his interview makes one’s skin crawl. “Asymmetry” makes you sorry you read it.
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The Rose Code
- A Novel
- De: Kate Quinn
- Narrado por: Saskia Maarleveld
- Duración: 16 h y 2 m
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As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything - beauty, wealth, and the dashing Prince Philip of Greece sending her roses - but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets.
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My Favorite Book!!!
- De Jan M en 03-09-21
- The Rose Code
- A Novel
- De: Kate Quinn
- Narrado por: Saskia Maarleveld
Less Compelling than Non-Fiction
Revisado: 08-04-24
The Rose Code kept my interest like a TV series. I cared about two of the three main characters, I enjoyed some of the twists, and I was able to hang with the author until the end.
But this is not literature… There’s no attempt to provide insight into the psychology of war or deprivation. None of the characters question the meaning of these events or provide any argument for another path. This means the only conflict for the protagonists is with bogey man characters (eg Beth’s mother, the faceless staff of the asylum) and it’s a given who will win in these situations.
There are multiple histories of Bletchley Park that involve the reader at a more visceral level.
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Night Wherever We Go
- A Novel
- De: Tracey Rose Peyton
- Narrado por: Karen Chilton
- Duración: 8 h y 28 m
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On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys—as they call the plantation owners, after Lucifer himself—have decided to turn around the farm’s bleak financial prospects by making the women bear children. They have hired a “stockman” to impregnate them. But the women are determined to protect themselves.
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The historical content of how king Black woman have healed themselves in the mist of a world trying to kill them- amazing read!
- De Amazon Customer en 12-05-23
- Night Wherever We Go
- A Novel
- De: Tracey Rose Peyton
- Narrado por: Karen Chilton
Stunning in every way
Revisado: 07-01-24
This audiobook is flawless. Not only is the story’s perspective original and deeply thoughtful, the narrative is woven with pure grace. I’ve never read anything like it… Congratulations also to the reader who has an extraordinary command of voice and tempo—creating dozens of believable characters across divisions of race, age, and social class. I was sorry this book ended.
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The March
- A Novel
- De: E.L. Doctorow
- Narrado por: Joe Morton
- Duración: 11 h y 7 m
- Versión completa
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In 1864, after Union general William Tecumseh Sherman burned Atlanta, he marched his sixty thousand troops east through Georgia to the sea, and then up into the Carolinas. The army fought off Confederate forces and lived off the land, pillaging the Southern plantations, taking cattle and crops for their own, demolishing cities, and accumulating a borne-along population of freed blacks and white refugees until all that remained was the dangerous transient life of the uprooted, the dispossessed, and the triumphant.
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Uncivil War
- De Jim E en 09-27-05
- The March
- A Novel
- De: E.L. Doctorow
- Narrado por: Joe Morton
Joe Morton is the Best Reader I’ve Ever Heard
Revisado: 06-14-24
I’ve had a paper copy of The March of my shelf for decades but never got more than 100 pages into it. The audiobook is gripping from start to finish. This is mostly due to Joe Morton’s work as reader
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Small Things Like These
- De: Claire Keegan
- Narrado por: Aidan Kelly
- Duración: 1 h y 57 m
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It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.
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Charming and Inspiring
- De David P en 09-05-22
- Small Things Like These
- De: Claire Keegan
- Narrado por: Aidan Kelly
One of the most beautifully told stories I’ve ever heard
Revisado: 06-06-24
This is exactly what a contemporary Christmas story should be. Introspective, earthy, but special. I am so glad I listened to the audiobook to breathe in the Irish dialect. It would have lost much in my own voice.
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The Resurrectionist
- De: Matthew Guinn
- Narrado por: Jeremy Arthur
- Duración: 7 h y 4 m
- Versión completa
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"Dog days and the fresh bodies are arriving once again." So begins the fall term at South Carolina Medical College, where Dr. Jacob Thacker is on probation for Xanax abuse. His interim career - working public relations for the dean - takes an unnerving detour into the past when the bones of African American slaves, over a century old, are unearthed on the campus. Out of the college’s dark past, these bones threaten to rise and condemn the present.
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Don't Care
- De Jim "The Impatient" en 03-05-16
- The Resurrectionist
- De: Matthew Guinn
- Narrado por: Jeremy Arthur
Poorly Edited Adolescent Writing
Revisado: 05-14-24
Guinn has the sensitivity of an eighth grade boy. Each female character (even the cadavers) is first described for her sexual attractiveness. White males are called ‘men’ while Blacks are ‘black men’. This wouldn’t be disturbing if it wasn’t so relentless. It begins to feel like the purpose of the novel. Such an issue also could be justified as a character bias if The Resurrectionist was written in the first person. But it’s not; it’s the biased voice of the author.
The audio performance is excellent, and if played at 1.5x speed, the story will keep your attention for a few days. In the end, though, one wishes an editor had asked for more maturity in the original writing.
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