OYENTE

Greg Carter

  • 18
  • opiniones
  • 0
  • votos útiles
  • 20
  • calificaciones

Missed Opportunity

Total
2 out of 5 stars
Ejecución
4 out of 5 stars
Historia
2 out of 5 stars

Revisado: 04-13-25

There is something so original in the plot twist, that I was dying to see how Horowitz would write his way out of it. Unfortunately, he dropped the ball.

The contemporary story is dull, the connections and puzzles are contrived, and ultimately idiotic. If I were Horowitz’ editor, I would have told him to leave the original mystery unfinished and unsolved. THAT would have been remarkable and thought provoking.

Instead, Magpie loses steam at the 2/3 point and isn’t worth finishing.

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Meaningless

Total
1 out of 5 stars
Ejecución
3 out of 5 stars
Historia
1 out of 5 stars

Revisado: 10-09-24

Towards the end of the story, Margaret says in agony “I said nothing!”

This is a good summary of the novel. I’ve never read a more meaningless book. The characters have no inner monologue, no feelings, no ambitions. If writers are taught to “show, don’t tell”, then Danielle Dutton was absent from school that day. Margaret the First is essentially a 100+ page list of events. We know that a character is sad when the author says “She was sad.” Not by experiencing the character’s challenges or point of view.

Utterly pointless.

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Show don’t Tell

Total
3 out of 5 stars
Ejecución
5 out of 5 stars
Historia
1 out of 5 stars

Revisado: 08-27-24

This is a plot-driven narrative with almost no interior discovery. Strikingly impersonal for a first-person story. In scenes of high tension, Sophie reveals nothing of herself, but does mention every tear that falls—from her own eye or from those of others. The mention of these single dripping tears becomes relentless as the novel proceeds. But it’s the only way the author can think to suggest emotion.

A promising story that died in the vine. Multiple scenes in which the lead character explains to new characters what happened earlier in the book. Then in the next house, she does it all over again. If I had been reading a paper copy, I supposed I could have skipped these moments. I wish an editor had cut them out before it got to me.

Ultimately, an amateurish effort.

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So Much Vomiting

Total
3 out of 5 stars
Ejecución
3 out of 5 stars
Historia
3 out of 5 stars

Revisado: 08-04-24

This is not really a novel. It reads like a novelization of a Star Trek movie. The plot is active, the characters are fun, and there is a structure that demands resolution. In the end, no one cares about the dozens of red shirts who die in the story—the lead characters all survive to smile and smirk and prepare for the sequel.

But what is with the retching and vomiting? There is more puke in “The Ballad of JD” than dialogue. It starts in paragraph one and recurs in every conflict. It’s hilarious.

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Main Character is Repulsive

Total
1 out of 5 stars
Ejecución
4 out of 5 stars
Historia
2 out of 5 stars

Revisado: 08-04-24

My patience was tested by part one, ran out during part two, and then insulted by part three.

I wish I knew why this novel was published. The recurring character (the aging author) is repulsive without context. The woman who connects with him in part one has virtually no inner story. She doesn’t really care about anything, yet she is our only window into the author’s life—who needs softening, because everything he says or does is selfish and gross.

When he returns in part three, the woman is gone and he is just a bloated talking head. Every word of his interview makes one’s skin crawl. “Asymmetry” makes you sorry you read it.

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Less Compelling than Non-Fiction

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 08-04-24

The Rose Code kept my interest like a TV series. I cared about two of the three main characters, I enjoyed some of the twists, and I was able to hang with the author until the end.

But this is not literature… There’s no attempt to provide insight into the psychology of war or deprivation. None of the characters question the meaning of these events or provide any argument for another path. This means the only conflict for the protagonists is with bogey man characters (eg Beth’s mother, the faceless staff of the asylum) and it’s a given who will win in these situations.

There are multiple histories of Bletchley Park that involve the reader at a more visceral level.

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Stunning in every way

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 07-01-24

This audiobook is flawless. Not only is the story’s perspective original and deeply thoughtful, the narrative is woven with pure grace. I’ve never read anything like it… Congratulations also to the reader who has an extraordinary command of voice and tempo—creating dozens of believable characters across divisions of race, age, and social class. I was sorry this book ended.

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Joe Morton is the Best Reader I’ve Ever Heard

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
2 out of 5 stars

Revisado: 06-14-24

I’ve had a paper copy of The March of my shelf for decades but never got more than 100 pages into it. The audiobook is gripping from start to finish. This is mostly due to Joe Morton’s work as reader

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One of the most beautifully told stories I’ve ever heard

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 06-06-24

This is exactly what a contemporary Christmas story should be. Introspective, earthy, but special. I am so glad I listened to the audiobook to breathe in the Irish dialect. It would have lost much in my own voice.

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Poorly Edited Adolescent Writing

Total
2 out of 5 stars
Ejecución
5 out of 5 stars
Historia
1 out of 5 stars

Revisado: 05-14-24

Guinn has the sensitivity of an eighth grade boy. Each female character (even the cadavers) is first described for her sexual attractiveness. White males are called ‘men’ while Blacks are ‘black men’. This wouldn’t be disturbing if it wasn’t so relentless. It begins to feel like the purpose of the novel. Such an issue also could be justified as a character bias if The Resurrectionist was written in the first person. But it’s not; it’s the biased voice of the author.

The audio performance is excellent, and if played at 1.5x speed, the story will keep your attention for a few days. In the end, though, one wishes an editor had asked for more maturity in the original writing.

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